Add to ORKGNo abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This paper discusses some of the means through which non-representational imagery in dance, and in p...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
This article explores some ways in which screendance might invite a greater or deeper degree of kine...
This essay discusses dance film and video dance. The first was born of the manifold possibilities of...
The project focuses on the research of the visual culture in the context of western societies from t...
In the late 1950s, a new medium sprung out of televisual technology to become the latest tool of rep...
A videodance is a dance that is created for and exists solely on film. This paper investigates how t...
This article discusses the dance performance project Interface 2, which involved live dancers, anima...
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This paper discusses some of the means through which non-representational imagery in dance, and in p...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
This article explores some ways in which screendance might invite a greater or deeper degree of kine...
This essay discusses dance film and video dance. The first was born of the manifold possibilities of...
The project focuses on the research of the visual culture in the context of western societies from t...
In the late 1950s, a new medium sprung out of televisual technology to become the latest tool of rep...
A videodance is a dance that is created for and exists solely on film. This paper investigates how t...
This article discusses the dance performance project Interface 2, which involved live dancers, anima...
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This paper discusses some of the means through which non-representational imagery in dance, and in p...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...