Eiko & Koma are New York-based Japanese American dance artists known for their subtle, focused, and finely controlled movement vocabulary through which they alter the perception of time and space. For over forty years they have created works for the proscenium stage, outdoor sites, galleries, and the camera that address elemental issues of life, survival, death, and rebirth. Their close and unsparing attention to nature, mourning, and human relationships to other humans and the world around them has won them prestigious awards including Guggenheim, MacArthur, and United States Artist Fellowships, Bessies, and Doris Duke Performing Arts Awards
This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situ...
This article explores some ways in which screendance might invite a greater or deeper degree of kine...
Drawing on new media theory, particularly on Mark Hansen’s understanding of the ‘body-in-code’, this...
Eiko & Koma are New York-based Japanese American dance artists known for their subtle, focused, ...
This is a review of the Dance on Camera Festival that took place in January 2017 in New York City at...
This paper examines the kinesthetic exchanges between camera operators and dancers, and proposes tha...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
The development of cinema and the development of modern dance are so deeply intertwined, that two le...
I propose that a learnt somatic experience of dance can translate into another discipline such as vi...
In an increasingly technologic age, video is becoming more easily accessible, and therefore, infused...
Dance Interrogations explores ways to bridge the gap between viewing screendance and the embodied ex...
This article analyzes scenes from the screendance Körper (Body, Sasha Waltz, 2000)1—choreographed by...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
The research field is interactive performance arts. The research is a collaboration between the rese...
This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situ...
This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situ...
This article explores some ways in which screendance might invite a greater or deeper degree of kine...
Drawing on new media theory, particularly on Mark Hansen’s understanding of the ‘body-in-code’, this...
Eiko & Koma are New York-based Japanese American dance artists known for their subtle, focused, ...
This is a review of the Dance on Camera Festival that took place in January 2017 in New York City at...
This paper examines the kinesthetic exchanges between camera operators and dancers, and proposes tha...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
The development of cinema and the development of modern dance are so deeply intertwined, that two le...
I propose that a learnt somatic experience of dance can translate into another discipline such as vi...
In an increasingly technologic age, video is becoming more easily accessible, and therefore, infused...
Dance Interrogations explores ways to bridge the gap between viewing screendance and the embodied ex...
This article analyzes scenes from the screendance Körper (Body, Sasha Waltz, 2000)1—choreographed by...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
The research field is interactive performance arts. The research is a collaboration between the rese...
This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situ...
This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situ...
This article explores some ways in which screendance might invite a greater or deeper degree of kine...
Drawing on new media theory, particularly on Mark Hansen’s understanding of the ‘body-in-code’, this...