In 2010, English director Mike Figgis presented The Co(te)lette Film, a cinematographic adaptation of eponymous live performance by Dutch choreographer Ann Van den Broek, Co(te)lette (2007). At the beginning of the film, the camera shows three women on all fours at the centre of a large podium. From the very first shots, the viewer is given exquisite high definitions images and close ups of these gorgeous women and their more intimate body parts as they move frenetically and breath heavily. The synopsis of the film states: “There is no confrontation, nor rivalry. No story-telling, no solution and no ending. [The three women] grapple with the meaning and physical translation of beauty and perishability, rawness and fragility. The dance...
Edited by Claudia Kappenberg (University of Brighton) and Sarah Whatley (Coventry University), this ...
Reviews for Scene (7.1/7.2) of 'Bright Stream' (Bolshoi Ballet), 'Giselle', (English National Ballet...
A discussion of Stephen Dwoskin's experimental documentary about the Ballet Negres, the first all bl...
In 2010, English director Mike Figgis presented The Co(te)lette Film, a cinematographic adaptation o...
A review of Dance’s Duet with the Camera: Motion Pictures edited by Telory D. Arendell and Ruth Barn...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
Dance on screen is by no means a new phenomenon, however the analytic consideration of popular dance...
The extended choreography of the reality television dance competition So You Think You Can Dance tea...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
This article is concerned with the ways in which gendered subjectivities are re-constituted within a...
Review of Performing the Border, Writing Desire, and Remote Sensing (Ursula Biemann, filmmaker) and ...
French director Catherine Breillat has gained notoriety for her distinctly personal portrayal of gen...
Die Matrix-Filme erlangten innerhalb von kurzer Zeit Kultstatus. Patricia Feise-Mahnkopp beleuchtet ...
This is a review of the Dance on Camera Festival that took place in January 2017 in New York City at...
A review of The Theatre of Thomas Ostermeier and Directing Scenes and Senses: The Thinking of Regie ...
Edited by Claudia Kappenberg (University of Brighton) and Sarah Whatley (Coventry University), this ...
Reviews for Scene (7.1/7.2) of 'Bright Stream' (Bolshoi Ballet), 'Giselle', (English National Ballet...
A discussion of Stephen Dwoskin's experimental documentary about the Ballet Negres, the first all bl...
In 2010, English director Mike Figgis presented The Co(te)lette Film, a cinematographic adaptation o...
A review of Dance’s Duet with the Camera: Motion Pictures edited by Telory D. Arendell and Ruth Barn...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
Dance on screen is by no means a new phenomenon, however the analytic consideration of popular dance...
The extended choreography of the reality television dance competition So You Think You Can Dance tea...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
This article is concerned with the ways in which gendered subjectivities are re-constituted within a...
Review of Performing the Border, Writing Desire, and Remote Sensing (Ursula Biemann, filmmaker) and ...
French director Catherine Breillat has gained notoriety for her distinctly personal portrayal of gen...
Die Matrix-Filme erlangten innerhalb von kurzer Zeit Kultstatus. Patricia Feise-Mahnkopp beleuchtet ...
This is a review of the Dance on Camera Festival that took place in January 2017 in New York City at...
A review of The Theatre of Thomas Ostermeier and Directing Scenes and Senses: The Thinking of Regie ...
Edited by Claudia Kappenberg (University of Brighton) and Sarah Whatley (Coventry University), this ...
Reviews for Scene (7.1/7.2) of 'Bright Stream' (Bolshoi Ballet), 'Giselle', (English National Ballet...
A discussion of Stephen Dwoskin's experimental documentary about the Ballet Negres, the first all bl...