Changes in instrument combination patterns in Western classical orchestral music are traced over a three hundred year period from 1701 to 2000. Using a stratified sample of sonorities from 180 orchestral works by 147 composers, various empirical analyses are reported. These include analyses of instrumentation presence, instrument usage, ensemble size, common instrument combinations, instrument clusterings, and their changes over time. In addition, the study reports associations of different instruments with various dynamic levels, different tempos, pitch class doublings, affinities between instruments and chord factors, as well as interactions between pitch, dynamics, and tempo. Results affirm many common intuitions and historical observati...
Ladinig and Huron’s (2010) investigation of the relationship between mode (major-minor) and dynamics...
Music historians have observed informally that Western music became increasingly chromatic between ...
Before the 20th century, timbre was long ignored for its potential to articulate musical structure i...
Changes in instrument combination patterns in Western classical orchestral music are traced over a t...
This commentary discusses the exploratory study by Chon, Huron and DeVlieger about the usage and com...
The Standard, Power, and Color (SPC) model describes the nexus between musical instrument combinatio...
The purpose of this study is to examine the roots of orchestration which lie in the late sixteenth a...
From ancient times to the present, music has been composed for instrumental combinations as well as ...
Sound waves from the instruments of the orchestra were phonophotographed, and by means of the Henric...
Archived article from Publisher's web site: http://www.sherpa.ac.uk/romeo.phpScholars have addressed...
Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study a...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
Scholars have addressed the tendency of U.S. symphony orchestras to perform the works of relatively ...
was to elucidate the historical development of the Euro-pean major and minor modes. The study involv...
Thesis (MMus (Composition))--North-West University, Potchefstroom Campus, 2013.Composing or arrangin...
Ladinig and Huron’s (2010) investigation of the relationship between mode (major-minor) and dynamics...
Music historians have observed informally that Western music became increasingly chromatic between ...
Before the 20th century, timbre was long ignored for its potential to articulate musical structure i...
Changes in instrument combination patterns in Western classical orchestral music are traced over a t...
This commentary discusses the exploratory study by Chon, Huron and DeVlieger about the usage and com...
The Standard, Power, and Color (SPC) model describes the nexus between musical instrument combinatio...
The purpose of this study is to examine the roots of orchestration which lie in the late sixteenth a...
From ancient times to the present, music has been composed for instrumental combinations as well as ...
Sound waves from the instruments of the orchestra were phonophotographed, and by means of the Henric...
Archived article from Publisher's web site: http://www.sherpa.ac.uk/romeo.phpScholars have addressed...
Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This study a...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
Scholars have addressed the tendency of U.S. symphony orchestras to perform the works of relatively ...
was to elucidate the historical development of the Euro-pean major and minor modes. The study involv...
Thesis (MMus (Composition))--North-West University, Potchefstroom Campus, 2013.Composing or arrangin...
Ladinig and Huron’s (2010) investigation of the relationship between mode (major-minor) and dynamics...
Music historians have observed informally that Western music became increasingly chromatic between ...
Before the 20th century, timbre was long ignored for its potential to articulate musical structure i...