This commentary critically evaluates the target paper by Schubert, North and Hargreaves on the semantic structure of aesthetic experience. It places it in the context of existing research with a special emphasis on related debates in philosophy and theoretical aesthetics. Several suggestions, in particular on their use of the terminology, are made
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic expe...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant's definiti...
Philosophical naturalism is a suitable background for an account of aesthetic perception as an alter...
A framework for organizing the semantic structure of aesthetic experience is proposed. The new fram...
Emotions, feelings, and, generally, the whole sphere of affectivity make up one of the most fundamen...
While it has extensively been argued that aesthetic categories such as beauty have a direct relation...
The aim of this paper is to propose an interpretation of aesthetic emotions in which they are treate...
While it is widely accepted that music evokes moods, there is disagreement over whether music-induce...
The primary aim of this thesis is to formulate an intensional definition of aesthetic experience. It...
In this study we investigated the relationship between aesthetic experience and other emotional qual...
The article’s goals are to contribute to the clarification of the term aesthetic experience used in ...
Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Th...
In this paper aesthetic experience is defined as an experience qualitatively different from everyday...
The aesthetic experience may be defined as a general process associated with an individualâs cogniti...
The reality of the aesthetic seems to manifest itself more and more in relational and immersive ways...
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic expe...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant's definiti...
Philosophical naturalism is a suitable background for an account of aesthetic perception as an alter...
A framework for organizing the semantic structure of aesthetic experience is proposed. The new fram...
Emotions, feelings, and, generally, the whole sphere of affectivity make up one of the most fundamen...
While it has extensively been argued that aesthetic categories such as beauty have a direct relation...
The aim of this paper is to propose an interpretation of aesthetic emotions in which they are treate...
While it is widely accepted that music evokes moods, there is disagreement over whether music-induce...
The primary aim of this thesis is to formulate an intensional definition of aesthetic experience. It...
In this study we investigated the relationship between aesthetic experience and other emotional qual...
The article’s goals are to contribute to the clarification of the term aesthetic experience used in ...
Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Th...
In this paper aesthetic experience is defined as an experience qualitatively different from everyday...
The aesthetic experience may be defined as a general process associated with an individualâs cogniti...
The reality of the aesthetic seems to manifest itself more and more in relational and immersive ways...
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic expe...
This is the first comprehensive theoretical article on aesthetic emotions. Following Kant's definiti...
Philosophical naturalism is a suitable background for an account of aesthetic perception as an alter...