Add to ORKGDigital Revolution digitized four decades\u27 worth of Chevron\u27s legacy media, including film, video tapes of multiple different formats and audio reels.The collection included fourteen different video tape formats, five audio tape formats, three film formats and 35mm slides, including PAL tapes from overseas. Preserving the content involved proper cleaning and handling of the older formats, which requires delicacy and knowledge of the media in order to ensure the best possible playback
Preserving Digital Materials Kapena Shim, Master’s Candidate, Library & Information Science, UH Mān...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
People used to believe (and many still do) that digital formats were the ultimate formats for storin...
Digital Revolution digitized four decades' worth of Chevron's legacy media, including film, video ta...
Audio-visual media have recorded the 20th century in way no other era has been recorded. Film, audio...
In 2016 was started the CERN Digital Memory project with the main goal of preventing loss of histori...
Few studies have examined the digital curation practices of audiovisual materials from the perspecti...
This dissertation focuses on standards for digital video - the social aspects of their design and th...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
Analog audio materials present unique preservation and access challenges for even the largest librar...
As analog video collections are digitized and new video is cre-ated in digital form, computer users ...
A considerable amount of creative, cultural, and research output is expressed in digital form. It is...
Today, Broadcast companies are migrating from aTape-based workflow to that File-Based .This not only...
Storage media are at the heart of the home movie as a 20th-century amateur practice. Over the years,...
The shift to digital production methods for moviemaking has resulted in a proliferation of digital m...
Preserving Digital Materials Kapena Shim, Master’s Candidate, Library & Information Science, UH Mān...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
People used to believe (and many still do) that digital formats were the ultimate formats for storin...
Digital Revolution digitized four decades' worth of Chevron's legacy media, including film, video ta...
Audio-visual media have recorded the 20th century in way no other era has been recorded. Film, audio...
In 2016 was started the CERN Digital Memory project with the main goal of preventing loss of histori...
Few studies have examined the digital curation practices of audiovisual materials from the perspecti...
This dissertation focuses on standards for digital video - the social aspects of their design and th...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
Analog audio materials present unique preservation and access challenges for even the largest librar...
As analog video collections are digitized and new video is cre-ated in digital form, computer users ...
A considerable amount of creative, cultural, and research output is expressed in digital form. It is...
Today, Broadcast companies are migrating from aTape-based workflow to that File-Based .This not only...
Storage media are at the heart of the home movie as a 20th-century amateur practice. Over the years,...
The shift to digital production methods for moviemaking has resulted in a proliferation of digital m...
Preserving Digital Materials Kapena Shim, Master’s Candidate, Library & Information Science, UH Mān...
Documentary filmmaking has evolved through its inceptions in 1922’s Nanook of the North to 2018’s Ic...
People used to believe (and many still do) that digital formats were the ultimate formats for storin...