In The Meek Inherit the Earth: Celebrating the End of American Power in Mars Attacks!, James Stone suggests that Mars Attacks, besides celebrating the aesthetics of alien invasion films, differs from other alien invasion films in the sense that while most Hollywood movies belonging to this group demonstrate U.S. strength and ingenuity, Mars Attacks! goes against the grain by refusing the general pro-American tone and foregrounding America's weaknesses; the film mischievously hints that the fall of the U.S. would be no tragedy, but an occasion for celebration. 
ROBERT WISE'S THE DAY THE EARTH STOOD STILL PART II: KLAATU AS ALIEN MESSIAH AbstractIn Part I, the ...
Comments on the role of the mass media in promoting the war on terrorism launched by United States P...
In his introduction to Visions of Mars: Essays on the Red Planet in Fiction and Science, Howard V. H...
Edited by Gilles MenegaldoInternational audienceWhen compared to Tim Burton’s earlier films, Mars At...
International audienceWhen compared to Tim Burton’s earlier films, Mars Attacks! (1996) suggests a k...
This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a react...
When witnesses on the scene of the 11 September 2001 attacks in Manhattan stated that the event had ...
IN PRAISE OF TIM BURTON: FINDING THE MASTERPIECE IN MARS ATTACKS "Science fiction is a literary prov...
Political and news media imagery saturate the culture of our classrooms as thoroughly as the popular...
The Martian presents the audience with a near-future that is a pervasively depoliticized neoliberal ...
The idea of national identity as threatened by foreign invasions has been at the centre of many popu...
From the earliest days of space exploration, no other object has excited the imagination of writers,...
This essay looks at the role of violence within radical environmentalist groups, such as ELF or Eart...
What on Earth was a short-run student publication by the Providence College Environmental and Wildli...
Inside of every alien invasion story is a central ‘us vs. them’ mentality that carries the thematic ...
ROBERT WISE'S THE DAY THE EARTH STOOD STILL PART II: KLAATU AS ALIEN MESSIAH AbstractIn Part I, the ...
Comments on the role of the mass media in promoting the war on terrorism launched by United States P...
In his introduction to Visions of Mars: Essays on the Red Planet in Fiction and Science, Howard V. H...
Edited by Gilles MenegaldoInternational audienceWhen compared to Tim Burton’s earlier films, Mars At...
International audienceWhen compared to Tim Burton’s earlier films, Mars Attacks! (1996) suggests a k...
This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a react...
When witnesses on the scene of the 11 September 2001 attacks in Manhattan stated that the event had ...
IN PRAISE OF TIM BURTON: FINDING THE MASTERPIECE IN MARS ATTACKS "Science fiction is a literary prov...
Political and news media imagery saturate the culture of our classrooms as thoroughly as the popular...
The Martian presents the audience with a near-future that is a pervasively depoliticized neoliberal ...
The idea of national identity as threatened by foreign invasions has been at the centre of many popu...
From the earliest days of space exploration, no other object has excited the imagination of writers,...
This essay looks at the role of violence within radical environmentalist groups, such as ELF or Eart...
What on Earth was a short-run student publication by the Providence College Environmental and Wildli...
Inside of every alien invasion story is a central ‘us vs. them’ mentality that carries the thematic ...
ROBERT WISE'S THE DAY THE EARTH STOOD STILL PART II: KLAATU AS ALIEN MESSIAH AbstractIn Part I, the ...
Comments on the role of the mass media in promoting the war on terrorism launched by United States P...
In his introduction to Visions of Mars: Essays on the Red Planet in Fiction and Science, Howard V. H...