Dolphins Who Blow Bubbles: Anthropological Machines and Native Informants

Heinsen's article also allows us to trace a shift; a shift from the more politically oriented readings of transgression (how are boundaries established) to how these boundaries are negotiated in a diversity of cultural practices. One example of this is Catherine Lord, who in Dolphins Who Blow Bubbles shows how a documentary film may become transgressive in the practices it exposes and the ways the film forces us to engage with both cultural thresholds and animal-human thresholds.&nbsp