This article examines the ghost effects in Dark Night of the Soul produced by the residual media of old sonic technologies. Alfred North Whitehead’s notion of perception in the mode of causal efficacy is used to explain how materiality has agency over the listener
Through the development and analysis of an audiovisual art practice this research explores creative ...
From 2001 research was carried out into the impact of digital tools such as the laptop computer on v...
The article discusses the intricate relationship between sound and signification through notions of ...
This article considers a history of electroacoustic music from the perspective of modified vinyl rec...
This article will explore the particular sense of nostalgia evoked by the sound and music of the BBC...
Electronica developed in the last decade of the twentieth century as an area of limited musical prac...
Twentieth-century popular music is fundamentally associated with electronics in its creation and rec...
University of Westminster Researcher Network Third Annual Conference, 18th June 2019 Abstract This...
This thesis examines the use of technology – particularly obsolete technologies and residual¹ media ...
In a recently published collection on materiality in art Petra Lange-Berndt asks, “what does it mean...
In a recently published collection on materiality in art Petra Lange-Berndt asks, “what does it mean...
This article invites reflection on the ambiguity of sonic temporalities as the lines between physica...
The purpose of this paper is to explore how musicians engaged with a particular form of technology, ...
UID/EAT/00693/2013This article proposes a perspective on certain practices within experimental music...
This chapter discusses retrospective trends in music and audiovisual art, sometimes known as Haunto...
Through the development and analysis of an audiovisual art practice this research explores creative ...
From 2001 research was carried out into the impact of digital tools such as the laptop computer on v...
The article discusses the intricate relationship between sound and signification through notions of ...
This article considers a history of electroacoustic music from the perspective of modified vinyl rec...
This article will explore the particular sense of nostalgia evoked by the sound and music of the BBC...
Electronica developed in the last decade of the twentieth century as an area of limited musical prac...
Twentieth-century popular music is fundamentally associated with electronics in its creation and rec...
University of Westminster Researcher Network Third Annual Conference, 18th June 2019 Abstract This...
This thesis examines the use of technology – particularly obsolete technologies and residual¹ media ...
In a recently published collection on materiality in art Petra Lange-Berndt asks, “what does it mean...
In a recently published collection on materiality in art Petra Lange-Berndt asks, “what does it mean...
This article invites reflection on the ambiguity of sonic temporalities as the lines between physica...
The purpose of this paper is to explore how musicians engaged with a particular form of technology, ...
UID/EAT/00693/2013This article proposes a perspective on certain practices within experimental music...
This chapter discusses retrospective trends in music and audiovisual art, sometimes known as Haunto...
Through the development and analysis of an audiovisual art practice this research explores creative ...
From 2001 research was carried out into the impact of digital tools such as the laptop computer on v...
The article discusses the intricate relationship between sound and signification through notions of ...
DOI
Add to ORKG