This paper discusses methods and issues related to preserving recorded sound in archives and libraries. The first half of this paper will review current preservation methods and concerns for sound recorded on cylinders, grooved discs, magnetic media, optical discs, and digital media. Issues of preservation in practice, digitization as a method of reformatting recorded sound for preservation, and maintaining the authenticity of these reformatted materials in archival contexts are ongoing concerns in archival study and practice. The second half of this paper will synthesize current scholarship regarding issues of preservation for audio material and examine if and how archivists can reconcile the need to preserve the information itself and the...
Intangibility distinguishes recorded acoustic events from other cultural materials, because of the t...
This article presents a methodology for the active preservation of, and the access to, magnetic tape...
Abstract / Cylinder recordings as an early form of reproducible sound media were first used in 1877 ...
The purpose of this study was to survey preservation re-recording practices in sound archives and to...
On the basis of directly related scientific study, comparatively little is known about the preserva...
The two critical needs that underlie this study are "the need to recognize the risk to a literal an...
n/dThis thesis summarizes the author’s work in the last years, which have been spent in the effort o...
brary materials, the sound recording stands as the infinitely repro-ducible documentation of the mus...
ABSTRACTBecause thousands of sounds documents are lost every day as a result of the fragility and de...
This paper presents a methodology for the preservation of audio documents, the operational protocol ...
In the sound archive field, a long-term maintenance of the collective human memory in its original f...
The goal of this master thesis is to propose a practical methodology for audio ingestion, restoratio...
Commissioned for and sponsored by the National Recording Preservation Board of the Library of Congre...
The digital re-recording of analogue material, in particular phonographic discs of ethnic music, can...
This is the first comprehensive, national-level study of the state of sound recording preservation e...
Intangibility distinguishes recorded acoustic events from other cultural materials, because of the t...
This article presents a methodology for the active preservation of, and the access to, magnetic tape...
Abstract / Cylinder recordings as an early form of reproducible sound media were first used in 1877 ...
The purpose of this study was to survey preservation re-recording practices in sound archives and to...
On the basis of directly related scientific study, comparatively little is known about the preserva...
The two critical needs that underlie this study are "the need to recognize the risk to a literal an...
n/dThis thesis summarizes the author’s work in the last years, which have been spent in the effort o...
brary materials, the sound recording stands as the infinitely repro-ducible documentation of the mus...
ABSTRACTBecause thousands of sounds documents are lost every day as a result of the fragility and de...
This paper presents a methodology for the preservation of audio documents, the operational protocol ...
In the sound archive field, a long-term maintenance of the collective human memory in its original f...
The goal of this master thesis is to propose a practical methodology for audio ingestion, restoratio...
Commissioned for and sponsored by the National Recording Preservation Board of the Library of Congre...
The digital re-recording of analogue material, in particular phonographic discs of ethnic music, can...
This is the first comprehensive, national-level study of the state of sound recording preservation e...
Intangibility distinguishes recorded acoustic events from other cultural materials, because of the t...
This article presents a methodology for the active preservation of, and the access to, magnetic tape...
Abstract / Cylinder recordings as an early form of reproducible sound media were first used in 1877 ...