In a playful short story the author confronts a curator and a copywriter on the ever recurring issue of the role of labels and texts in museum exhibitions. Education vs entertainment, dullness vs seduction, a conflict based on the legibility and quality of the wording. The confrontation ends in peace with the curator admitting that a lot can be learnt from the verbal economy and wit of the commercial copywriter, even from the limitations of SMS messages, in order to catch the attention and imagination of the casual visitor, thereby maybe enticing her/him to study more demanding information.
The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its ma...
The purpose of this report is to propose various approaches and methods to create a better climate f...
Technical museums are packed with things taken out of the original context and left alone for genera...
The aim of this article is to encourage museum text writers to explore alternative ways of writing. ...
Writers’ museums often privilege the biographical person of the author rather than their literary wo...
Informed by her competence in literature and the theory and practice of exhibitions, Heike Gfrereis ...
Writers’ museums often privilege the biographical person of the author rather than their literary wo...
Taking the wall text in art museums as point of departure, this article investigates developments in...
Purpose/Aim: Exhibitions in cultural-historical museums have traditionally been object-centered and ...
Rather a newly bathed sinner than three righteous ones with sweaty feet The author states that in al...
Exhibitions have become a media, produced by professionals (museographers or exhibit designers) in o...
This article presents a study of the linguistic accessibility of Danish museum exhibition texts. e p...
Den här studien undersöker hur webbplatsen kan användas i syfte att förmedla en varumärkesidentitet ...
The making of a cultural historical exhibition usually involves the collaboration of two categories ...
The text is about three different interventions into art exhibitions. The first approach is about an...
The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its ma...
The purpose of this report is to propose various approaches and methods to create a better climate f...
Technical museums are packed with things taken out of the original context and left alone for genera...
The aim of this article is to encourage museum text writers to explore alternative ways of writing. ...
Writers’ museums often privilege the biographical person of the author rather than their literary wo...
Informed by her competence in literature and the theory and practice of exhibitions, Heike Gfrereis ...
Writers’ museums often privilege the biographical person of the author rather than their literary wo...
Taking the wall text in art museums as point of departure, this article investigates developments in...
Purpose/Aim: Exhibitions in cultural-historical museums have traditionally been object-centered and ...
Rather a newly bathed sinner than three righteous ones with sweaty feet The author states that in al...
Exhibitions have become a media, produced by professionals (museographers or exhibit designers) in o...
This article presents a study of the linguistic accessibility of Danish museum exhibition texts. e p...
Den här studien undersöker hur webbplatsen kan användas i syfte att förmedla en varumärkesidentitet ...
The making of a cultural historical exhibition usually involves the collaboration of two categories ...
The text is about three different interventions into art exhibitions. The first approach is about an...
The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its ma...
The purpose of this report is to propose various approaches and methods to create a better climate f...
Technical museums are packed with things taken out of the original context and left alone for genera...