This essay offers insights from workshops exploring Elizabeth Cary’s The Tragedy of Mariam in a range of contrasting sites. The Tragedy of Mariam has a slender performance history, a fact which arguably presents barriers to production and reception in traditional theatre settings. This lack of practice-based understanding makes future performance less likely, and consequently limits appreciations of the play. The workshops in four sites documented here create new lenses through which to view Mariam. By taking a performance studies approach, valuing what Carol Chillington Rutter terms the excess of meaning generated through performance of play-texts, this article aims to contribute performance and practitioner insights to the current Cary di...
When early modern plays were staged with black curtains, ‘tragedy’ began the moment the audience ent...
Access to thesis permanently restricted to Ball State community only.This dissertation examines cont...
This thesis is a systematic investigation of the Royal Shakespeare Company's productions of all the ...
This essay offers insights from workshops exploring Elizabeth Cary’s The Tragedy of Mariam in a rang...
Since the rediscovery of Elizabeth Cary’s drama, The Tragedy of Mariam, the play and its author have...
This thesis examines Elizabeth Cary’s use of the Chorus in The Tragedy of Mariam (pub. 1613). Imitat...
The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and i...
In 1991 I applied for a lectureship at one of the UK’s leading universities; during the interview I ...
Includes bibliographical references (leaves 105-110).The Tragedy of Mariam, The Fair Queen of Jewry ...
In this paper, I investigate the possibility of servants participating in early modern dramas and th...
This essay introduces the playwrights under consideration and looks forward to the four essays in th...
This is a study of diverse practices of representing, conducted at the intersection between historio...
Theater historians have taught us that early modern audiences were rowdy, interrupted plays, jeered ...
Recent interest in staging so-called ‘closet dramas’ by early modern women has bypassed Samuel Danie...
This thesis examines scenes of women’s dialogue in neoclassical tragedies of the English Renaissance...
When early modern plays were staged with black curtains, ‘tragedy’ began the moment the audience ent...
Access to thesis permanently restricted to Ball State community only.This dissertation examines cont...
This thesis is a systematic investigation of the Royal Shakespeare Company's productions of all the ...
This essay offers insights from workshops exploring Elizabeth Cary’s The Tragedy of Mariam in a rang...
Since the rediscovery of Elizabeth Cary’s drama, The Tragedy of Mariam, the play and its author have...
This thesis examines Elizabeth Cary’s use of the Chorus in The Tragedy of Mariam (pub. 1613). Imitat...
The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and i...
In 1991 I applied for a lectureship at one of the UK’s leading universities; during the interview I ...
Includes bibliographical references (leaves 105-110).The Tragedy of Mariam, The Fair Queen of Jewry ...
In this paper, I investigate the possibility of servants participating in early modern dramas and th...
This essay introduces the playwrights under consideration and looks forward to the four essays in th...
This is a study of diverse practices of representing, conducted at the intersection between historio...
Theater historians have taught us that early modern audiences were rowdy, interrupted plays, jeered ...
Recent interest in staging so-called ‘closet dramas’ by early modern women has bypassed Samuel Danie...
This thesis examines scenes of women’s dialogue in neoclassical tragedies of the English Renaissance...
When early modern plays were staged with black curtains, ‘tragedy’ began the moment the audience ent...
Access to thesis permanently restricted to Ball State community only.This dissertation examines cont...
This thesis is a systematic investigation of the Royal Shakespeare Company's productions of all the ...