When Elizabeth I visited Bristol in 1574 she was entertained by an impressive three day mock battle. Such a performance differed from the traditional protocol of using a combination of pageants and petitions. In the mayor's audit books there is record of the expenses incurred by the Bristol corporation during the queen's visit. This essay closely examines these expenses and explores how the corporation used this theatrical performance as a means of constructing a ceremonial dialogue with the queen. Throughout, the entertainment maintains an allegory of War, represented by the offensive forces, in conflict with Peace, symbolized by the defending fort. The artificial conflict concludes with the queen herself being given the role of adjudicato...
This essay provides a close contextual analysis of Elizabeth I's visits to Cambridge in 1564 and Oxf...
This thesis addresses the presentation of the history of privateering in England and the role of th...
The royal entry developed in the Renaissance Europe was a vehicle for the glorification of monarchic...
When Elizabeth I visited Bristol in 1574 she was entertained by an impressive three day mock battle....
Elizabeth’s summer progresses were an essential aspect of the Propaganda which allowed her to be see...
Renaissance England is often discussed in the context of theatre and theatrical acting. The fact is...
Queen Elizabeth I reigned over a period of cultural and political vitality between 1558—1603. She cu...
The records of Lincoln Cathedral possess the largest and most enduring evidence for cathedral-funded...
Three late Elizabethan progress entertainments are being discussed: Cowdray (August 1591), Elvetham...
Although Queen Elizabeth I of England made summer journeys or progresses almost every year from 1559...
The records of Lincoln Cathedral possess the largest and most enduring evidence for cathedral-funded...
In September 1579, at the height of an intense political debate over her prospective marriage to the...
(Ver 2.1.) To be printed in Queens on Stage. Female Sovereignty, Power, and Sexuality in Early Moder...
Elizabeth I and the ‘Sovereign Arts’ brings together eighteen wide-ranging and accessible essays on ...
The article discusses the reign of Queen Elizabeth I during the 1590s in England. The authors reflec...
This essay provides a close contextual analysis of Elizabeth I's visits to Cambridge in 1564 and Oxf...
This thesis addresses the presentation of the history of privateering in England and the role of th...
The royal entry developed in the Renaissance Europe was a vehicle for the glorification of monarchic...
When Elizabeth I visited Bristol in 1574 she was entertained by an impressive three day mock battle....
Elizabeth’s summer progresses were an essential aspect of the Propaganda which allowed her to be see...
Renaissance England is often discussed in the context of theatre and theatrical acting. The fact is...
Queen Elizabeth I reigned over a period of cultural and political vitality between 1558—1603. She cu...
The records of Lincoln Cathedral possess the largest and most enduring evidence for cathedral-funded...
Three late Elizabethan progress entertainments are being discussed: Cowdray (August 1591), Elvetham...
Although Queen Elizabeth I of England made summer journeys or progresses almost every year from 1559...
The records of Lincoln Cathedral possess the largest and most enduring evidence for cathedral-funded...
In September 1579, at the height of an intense political debate over her prospective marriage to the...
(Ver 2.1.) To be printed in Queens on Stage. Female Sovereignty, Power, and Sexuality in Early Moder...
Elizabeth I and the ‘Sovereign Arts’ brings together eighteen wide-ranging and accessible essays on ...
The article discusses the reign of Queen Elizabeth I during the 1590s in England. The authors reflec...
This essay provides a close contextual analysis of Elizabeth I's visits to Cambridge in 1564 and Oxf...
This thesis addresses the presentation of the history of privateering in England and the role of th...
The royal entry developed in the Renaissance Europe was a vehicle for the glorification of monarchic...