This essay examines the figure of the double in Sonnet VIII of Louise Labé in relation to the theme of the androgyne in the Débat de Folie et d'Amour and in the light of the proto-feminist claims of her "Épître Dédicatoire." It suggests that the poet from Lyon, in inscribing dialogue at the very heart of her Oeuvres as the motive force of an écriture du plaisir, opposes herself to the literary tradition of her age and heralds the great debates of the twentieth century regarding sexual difference and literary subjectivity
Within the hugolian production, L'Homme qui rit introduces a major novelty into the treatment of the...
203 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987.To study some occurrences of ...
Includes bibliographical references (pages [93]-95)This study of Louise Labe's sonnet collection see...
This essay examines the figure of the double in Sonnet VIII of Louise Labé in relation to the theme ...
Sixteenth century Lyonnaise poet, Louise Labé, is primarily famous for her sonnet series, encoded wi...
Louise Labé (1524-1566) est la femme poète la plus célèbre du XVI e siècle. Défendant l’égalité entr...
In my negotiations with the genre of poetry and in particular with lesbian poets, I propose that the...
Louise Labé’s Sonnet XVIII is far from subtle in its forceful representation of sexual intimacy. Aft...
The present study will attempt to demonstrate the thesis that there are three different personalitie...
Romantic Androgyny is the first study to systematically apply the currents of French and Anglo-Ameri...
To any reader, as learned as he or she could be, the « fin de siècle » period, in France and Britain...
Although Anne Hébert's "La Fille Maigre" is not a direct response to "Contre une dame trop maigre" b...
Contemporary French feminist literary critics have debated whether the category of woman is an empow...
Published online 17 November 2016This is the author accepted manuscript. The final version is availa...
Women poets of the nineteenth century remain for the most part marginalized in the study of French R...
Within the hugolian production, L'Homme qui rit introduces a major novelty into the treatment of the...
203 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987.To study some occurrences of ...
Includes bibliographical references (pages [93]-95)This study of Louise Labe's sonnet collection see...
This essay examines the figure of the double in Sonnet VIII of Louise Labé in relation to the theme ...
Sixteenth century Lyonnaise poet, Louise Labé, is primarily famous for her sonnet series, encoded wi...
Louise Labé (1524-1566) est la femme poète la plus célèbre du XVI e siècle. Défendant l’égalité entr...
In my negotiations with the genre of poetry and in particular with lesbian poets, I propose that the...
Louise Labé’s Sonnet XVIII is far from subtle in its forceful representation of sexual intimacy. Aft...
The present study will attempt to demonstrate the thesis that there are three different personalitie...
Romantic Androgyny is the first study to systematically apply the currents of French and Anglo-Ameri...
To any reader, as learned as he or she could be, the « fin de siècle » period, in France and Britain...
Although Anne Hébert's "La Fille Maigre" is not a direct response to "Contre une dame trop maigre" b...
Contemporary French feminist literary critics have debated whether the category of woman is an empow...
Published online 17 November 2016This is the author accepted manuscript. The final version is availa...
Women poets of the nineteenth century remain for the most part marginalized in the study of French R...
Within the hugolian production, L'Homme qui rit introduces a major novelty into the treatment of the...
203 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987.To study some occurrences of ...
Includes bibliographical references (pages [93]-95)This study of Louise Labe's sonnet collection see...