Oliver!: a Dickensian Musical is a book about Lionel Bart's world-renowned musical Oliver!. In this text, author Marc Napolitano provides a comprehensive “biography” of Oliver!, outlining everything from the musical’s initial conception, to its impact in the 21st century. The author considers many points of view and incorporates a wide range of sources, including members of the musical’s creative team and opposing critics. in doing so, he creates a balanced, well-rounded book. Because of the depth of information, those with an interest in all elements of musical theatre will find this book appealing. Previous knowledge of Oliver Twist and certain British musical traditions are necessary to fully grasp the text
The complexities of opera's entanglement with the physical world is the subject of Mary Ann Smart's ...
Includes bibliographical references (pages 152-154)The operas of Benjamin Britten seem to have earne...
Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome ...
This project presents an analysis of various musical adaptations of the works of Charles Dickens. Tr...
This critical introduction to British musical theatre since 1950 is the first book to discuss its po...
The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest a...
Charles Dickens’s work has been taken and adapted for many different ends. Quite a lot of attention ...
This project is an analysis of the construction of American Musical Theatre. The research for this p...
The first collection of scholarly essays on the British musical from its origin in 1727 to 2017. ...
The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important...
Review of London, Radical Culture, and the Making of the Dickensian Aesthetic by Sambudha Sen / Dick...
This thesis examines the various theatrical Oliver Twists that appeared on the nineteenth-century pa...
About the book: Palgrave Advances in Charles Dickens Studies is an up-to-the-minute guide to the s...
Music in Shakespearean Tragedy (F. W. Sternfeld) (Reviewed by John P. Cutts, Wayne State University)...
Each chapter of this book gives an overview of six musical theatre styles: light opera/operetta, vau...
The complexities of opera's entanglement with the physical world is the subject of Mary Ann Smart's ...
Includes bibliographical references (pages 152-154)The operas of Benjamin Britten seem to have earne...
Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome ...
This project presents an analysis of various musical adaptations of the works of Charles Dickens. Tr...
This critical introduction to British musical theatre since 1950 is the first book to discuss its po...
The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest a...
Charles Dickens’s work has been taken and adapted for many different ends. Quite a lot of attention ...
This project is an analysis of the construction of American Musical Theatre. The research for this p...
The first collection of scholarly essays on the British musical from its origin in 1727 to 2017. ...
The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important...
Review of London, Radical Culture, and the Making of the Dickensian Aesthetic by Sambudha Sen / Dick...
This thesis examines the various theatrical Oliver Twists that appeared on the nineteenth-century pa...
About the book: Palgrave Advances in Charles Dickens Studies is an up-to-the-minute guide to the s...
Music in Shakespearean Tragedy (F. W. Sternfeld) (Reviewed by John P. Cutts, Wayne State University)...
Each chapter of this book gives an overview of six musical theatre styles: light opera/operetta, vau...
The complexities of opera's entanglement with the physical world is the subject of Mary Ann Smart's ...
Includes bibliographical references (pages 152-154)The operas of Benjamin Britten seem to have earne...
Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome ...