Situating Opera: Period, Genre, Reception is a collection of essays by Herbert Lindenberger, published in 2010 by Cambridge University Press. The primary theme explored in this book is the interdisciplinarity of the burgeoning field of opera studies. Each of the nine essays considers the study of opera through a variety of different lenses, demonstrating the many ways one can come to understand the art form. The diversity of perspectives Lindenberger presents in these essays are a compelling demonstration of the author’s knowledge, but may leave the reader initially confused as to what the book is about. The subject of each essay is often thoroughly different from the last, demanding from the reader an attentive mind to realize the connecti...
Anyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn...
As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular cult...
"David Levin's Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky is an ambitious book, ...
Marcia J. Citron’s book, titled When Opera meets Film (2010), is an intriguing study of ...
A bold, engaging exploration of opera's fundamental nature and enduring appeal, from the sixteenth c...
With its powerful combination of music and theatre, opera is one of the most complex and yet immedia...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
In Opera as Soundtrack, Jeongwon Joe explores the use of opera excerpts in Hollywood cinema soundtra...
The Experience of Opera stands here as a term, as well as a methodology, to approach the studies in ...
David Levin’s Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky is an ambitious book, a...
Hervé Lacombe’s The Keys to French Opera in the Nineteenth Century, a revised and expanded translati...
As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular cult...
Hervé Lacombe's The Keys to French Opera in the Nineteenth Century, a revised and expanded translati...
Opera seria has long resisted our understanding. The baroque era's most prestigious genre, it has ty...
Anyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn...
As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular cult...
"David Levin's Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky is an ambitious book, ...
Marcia J. Citron’s book, titled When Opera meets Film (2010), is an intriguing study of ...
A bold, engaging exploration of opera's fundamental nature and enduring appeal, from the sixteenth c...
With its powerful combination of music and theatre, opera is one of the most complex and yet immedia...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
In Opera as Soundtrack, Jeongwon Joe explores the use of opera excerpts in Hollywood cinema soundtra...
The Experience of Opera stands here as a term, as well as a methodology, to approach the studies in ...
David Levin’s Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky is an ambitious book, a...
Hervé Lacombe’s The Keys to French Opera in the Nineteenth Century, a revised and expanded translati...
As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular cult...
Hervé Lacombe's The Keys to French Opera in the Nineteenth Century, a revised and expanded translati...
Opera seria has long resisted our understanding. The baroque era's most prestigious genre, it has ty...
Anyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn...
As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular cult...
"David Levin's Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky is an ambitious book, ...