The Philosophical Views of Ecological Aesthetics

自然自旋生的理念与整生理式,构成了生态哲学观。审美生态观直承生态哲学观,它关于生命自整生与自美生和旋的理念,是对审美生态本原、本质、本位、本体、价值的探寻。大自然的自旋生,是审美生态的本原;整生与美生的同旋,是审美生态的本质;审美生态的完形运动,构成的生态美学逻辑系统——绿色美生场,是审美生态的本位;生态本原的回旋性生发,形成了审美生态本体;天然美生,是审美生态运进的目标。超旋生,即一个旋圈超越一个旋圈的整生制式,是审美生态观的方法论。它规约审美生态圈一个旋生接一个旋生的环运,一个旋生大一个旋生的周长,一个旋生套一个旋生的环复,一个旋生高一个旋生的回升,使生态美学从共生论美学出发,向整生论美学发展,朝天生论美学提升,往美生学大成。The concept of Zixuansheng and Zhensheng form the views of ecological philosophy. The views of ecological aesthetics directly inherit the views of philosophy of ecology; it is about self-integration of life; it explores the origin and essence of ecological aesthetic, standard, ontology and value. The nature＇ Zixuansheng is the origin of ecological aesthetic; the synchronical rotation of Zhensheng and Meisheng is the essence of ecological aesthetic; the Gestalt movement of ecological aesthetic, which constitutes the logic system of ecological aesthetics--- green Meisheng field is the noumer~on of ecological aesthetic; the nature＇ s Meisheng is the evolvement goal of ecological aesthetic; super Xuansheng is the ontology of the views of ecological aesthetics. It defines the aesthetic ecosphere as a spiral of life, a circumference of a large spiral, a spiral loop, and a spiral rebound. It helps ecological aesthetics start from symbiosis aesthetics, develop towards whole life aesthetics, upgrade towards birth aesthetics and attain to aesthetic-ecological aesthetics