The controversy over ownership for the Parthenon Sculptures between Britain and Greece questions the role of museums, specifically the British Museum, in the promotion of national identity in the late twentieth century. An analysis of this controversy suggests that museums, while helping maintain a national identity, also promote a global identity, albeit inadvertently. This paper seeks to examine the interaction between nationalism and museums, with a view to assessing what significance the Parthenon Sculptures have in the British Museum. Additionally, it attempts to presents the Greek demand for the return of these sculptures in context of the opening of the new Acropolis Museum in June of 2009 in Athens
The research presented in this PhD dissertation provides a socio-educational perspective on the part...
The reproduction of nationhood in National Museums in France and in Scotland has been widely discuss...
This article explores the representational problems inherent in one museum’s attempt to tell a ‘nati...
The status of the Parthenon Marbles as objects of world heritage lies at the heart of arguments for ...
This thesis explores the relationship between the Classical Greek legacy and today’s world by examin...
One of the institutions fundamental to European nation-states, national museums play host to various...
Artifacts are crucial to the understanding of past societies. Archaeologists are able to learn about...
Cultural property disputes raise questions of ownership, possession, alleged destruction, and lootin...
A museum that represents a community’s history and culture has the ability to influence the way that...
From government and philosophy to art drama and culture, the ancient Athenians, as most everyone kno...
How can we understand and define the national museum concept? One broad definition is that a nationa...
The central question is how various countries in the nineteenth century designed and disseminated th...
The present study examines sculptural decoration on large scale ancient Greek architecture and its i...
National Museums and the Origins of Nations provides the first international survey of origins stori...
Many artifacts which comprise private and museum collections today were possibly stolen from their c...
The research presented in this PhD dissertation provides a socio-educational perspective on the part...
The reproduction of nationhood in National Museums in France and in Scotland has been widely discuss...
This article explores the representational problems inherent in one museum’s attempt to tell a ‘nati...
The status of the Parthenon Marbles as objects of world heritage lies at the heart of arguments for ...
This thesis explores the relationship between the Classical Greek legacy and today’s world by examin...
One of the institutions fundamental to European nation-states, national museums play host to various...
Artifacts are crucial to the understanding of past societies. Archaeologists are able to learn about...
Cultural property disputes raise questions of ownership, possession, alleged destruction, and lootin...
A museum that represents a community’s history and culture has the ability to influence the way that...
From government and philosophy to art drama and culture, the ancient Athenians, as most everyone kno...
How can we understand and define the national museum concept? One broad definition is that a nationa...
The central question is how various countries in the nineteenth century designed and disseminated th...
The present study examines sculptural decoration on large scale ancient Greek architecture and its i...
National Museums and the Origins of Nations provides the first international survey of origins stori...
Many artifacts which comprise private and museum collections today were possibly stolen from their c...
The research presented in this PhD dissertation provides a socio-educational perspective on the part...
The reproduction of nationhood in National Museums in France and in Scotland has been widely discuss...
This article explores the representational problems inherent in one museum’s attempt to tell a ‘nati...