对瑶族传统民歌《呤啰啦嘞》从曲调风格和衬词内涵,作了音乐理论分析,同时还对这首民歌的人文背景和现代人的审美情趣进行了研究,从民歌中吸取营养,运用现代创新技巧创作了系列作品,达到理论研究与创作实践有机结合的目的。Abstract :The paper conducts a music theoretical analysis on the Yao folk song Ling-luo-la-le f rom the perspective of tune sty le and lining words , and also studies its cultural backg rounds and mo dern people's aesthetic taste .A seiries of music pieces have been composed by taking the nourishment from folk songs and applying modern innovative technicques , thus fulfilling the task of combining theoretic study and creative practice .国家民委2007年重点资助项目(07GX03
Cultural “conscious” affects innovational development of art style and form imperceptibly. It is a t...
The ancient Chinese flat gong, the chao gong or tam-tam has been used by twentieth-century composers...
The debate on the position of “new folk song” reflects changes of music thoughts in the field of mus...
通过对广西瑶族民歌的现状与风格进行分析研究,论证了"传承就是继承和发展,创新才是发展之根本"的论点。并强调:创新必须面向传统、面向未来,才能创作出有价值、有生命力的作品,才能够宣传和保护、传承和发展瑶...
我国古代谣谚文化发展至汉代已较为兴盛,并在中国文化史上占有重要地位.这主要体现在三方面:其一,汉代谣谚作品数量多、类别多,时政谣谚、经济谣谚、哲理谣谚皆有.其二,汉代谣谚的艺术表现力强,形式不拘,风格...
Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and We...
目前湖北房县流传的民歌中包含了相当多的古代典籍内容,其中包括一些古代神话故事和<诗经>的歌词.本文研究这些民歌歌词与古代典籍的关系,认为民歌中这些内容并非是依靠口头传播方式直接从远古时代流...
Cette thèse se propose d’étudier une poésie chantée dont la désignation même est empruntée à une in...
Luofuxing, the ancient text of Moshangsang which is one of the songs collected by the Han Yuefu (the...
This study focuses on the literacy transmission guideline for preserving “Xin Tian You” folk songs i...
In 2010, pianist Shan Deng, her father Wei Deng,1 a pipa specialist, and composer Maria Grenfell emb...
The research focuses on the preservation and transmission of Pipa and Guzheng duets in the Pu Dong s...
After the Cultural Revolution, China has reopened the door to the world since the late 1970s. In the...
作为魏晋南北朝诗坛的主要体裁的五言诗,因功能不同形成不同的体制.乐府五言在文体上的历时演变及其与同时的徒诗五言的分合关系值得着重论述.五言出于乐府,在魏晋诗坛上分流为乐府与徒诗两体.乐府体五言在脱离音...
在宋代儒学兴盛的背景下,乐府诗的创作被纳入儒家以淑世精神为指导的道德框架之中,宋代文人将乐府源流上溯《诗》、《骚》,构成了一次乐府功能、主旨的复归。故而宋代乐府诗在创作观念、内容、功能等方面,皆体现出...
Cultural “conscious” affects innovational development of art style and form imperceptibly. It is a t...
The ancient Chinese flat gong, the chao gong or tam-tam has been used by twentieth-century composers...
The debate on the position of “new folk song” reflects changes of music thoughts in the field of mus...
通过对广西瑶族民歌的现状与风格进行分析研究,论证了"传承就是继承和发展,创新才是发展之根本"的论点。并强调:创新必须面向传统、面向未来,才能创作出有价值、有生命力的作品,才能够宣传和保护、传承和发展瑶...
我国古代谣谚文化发展至汉代已较为兴盛,并在中国文化史上占有重要地位.这主要体现在三方面:其一,汉代谣谚作品数量多、类别多,时政谣谚、经济谣谚、哲理谣谚皆有.其二,汉代谣谚的艺术表现力强,形式不拘,风格...
Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and We...
目前湖北房县流传的民歌中包含了相当多的古代典籍内容,其中包括一些古代神话故事和<诗经>的歌词.本文研究这些民歌歌词与古代典籍的关系,认为民歌中这些内容并非是依靠口头传播方式直接从远古时代流...
Cette thèse se propose d’étudier une poésie chantée dont la désignation même est empruntée à une in...
Luofuxing, the ancient text of Moshangsang which is one of the songs collected by the Han Yuefu (the...
This study focuses on the literacy transmission guideline for preserving “Xin Tian You” folk songs i...
In 2010, pianist Shan Deng, her father Wei Deng,1 a pipa specialist, and composer Maria Grenfell emb...
The research focuses on the preservation and transmission of Pipa and Guzheng duets in the Pu Dong s...
After the Cultural Revolution, China has reopened the door to the world since the late 1970s. In the...
作为魏晋南北朝诗坛的主要体裁的五言诗,因功能不同形成不同的体制.乐府五言在文体上的历时演变及其与同时的徒诗五言的分合关系值得着重论述.五言出于乐府,在魏晋诗坛上分流为乐府与徒诗两体.乐府体五言在脱离音...
在宋代儒学兴盛的背景下,乐府诗的创作被纳入儒家以淑世精神为指导的道德框架之中,宋代文人将乐府源流上溯《诗》、《骚》,构成了一次乐府功能、主旨的复归。故而宋代乐府诗在创作观念、内容、功能等方面,皆体现出...
Cultural “conscious” affects innovational development of art style and form imperceptibly. It is a t...
The ancient Chinese flat gong, the chao gong or tam-tam has been used by twentieth-century composers...
The debate on the position of “new folk song” reflects changes of music thoughts in the field of mus...