In the Edo era, those commodities that entered Japan from China through Nagasaki trade contained a large amount of calligraphy materials,especially rubbings for studying calligraphy. These rubbings that entered Japan from China had become guiding materials for Japanese calligraphy circles to study Chinese calligraphic style in the Edo era. China set a large number of imports to Japan,also published in japan. Through the publication of that time in the post,also can pry out China calligrapher popularity in Japan.東アジアの歴史と動態文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠
Includes bibliographical references (pages 51-68)Painting has been the dominant form of Chinese art ...
[[abstract]]The “Shanghai School” is a new group of new-styled painters in late Ching Shanghai. It b...
This paper will examine the development and characteristics of posters in pre-World War II China, wi...
To maintain its policy of national isolation during the Edo period, Japan restricted contact with th...
After the Xinhai Revolution of 1911, Luo Zhenyu\u27s family moved to Japan, and lived in Kyoto for m...
In the late Qing and early Min periods, language and publications became two prevalent ways of Japan...
This dissertation concentrates on Ike Taiga's (1723-76) karayo or Chinese-style calligraphy: a searc...
This is an article for the study of calligraphs by I-shan I-ning, the Chinese Buddhist priest who ca...
Maps of China were mostly put to use in Japan as an excellent aid to the better understanding of the...
This study is summarized in the next four points. (1) Some collected books were published in the ear...
Modernization in Japan is often equalled to westernization. This chapter, however, challenges this v...
Little interest was taken in colloquial Chinese at the beginning of the Tokuga-wa period. Although c...
Although both China and Japan had a tradition of four categories of people, it has been commonly bel...
This paper is mainly about the study of the Kanga by Minamoto Toyomune. Here Kanga is defined as a k...
Due to the pictographic nature of Chinese characters in Japan (Kanji) and China (Hanzi), throughout ...
Includes bibliographical references (pages 51-68)Painting has been the dominant form of Chinese art ...
[[abstract]]The “Shanghai School” is a new group of new-styled painters in late Ching Shanghai. It b...
This paper will examine the development and characteristics of posters in pre-World War II China, wi...
To maintain its policy of national isolation during the Edo period, Japan restricted contact with th...
After the Xinhai Revolution of 1911, Luo Zhenyu\u27s family moved to Japan, and lived in Kyoto for m...
In the late Qing and early Min periods, language and publications became two prevalent ways of Japan...
This dissertation concentrates on Ike Taiga's (1723-76) karayo or Chinese-style calligraphy: a searc...
This is an article for the study of calligraphs by I-shan I-ning, the Chinese Buddhist priest who ca...
Maps of China were mostly put to use in Japan as an excellent aid to the better understanding of the...
This study is summarized in the next four points. (1) Some collected books were published in the ear...
Modernization in Japan is often equalled to westernization. This chapter, however, challenges this v...
Little interest was taken in colloquial Chinese at the beginning of the Tokuga-wa period. Although c...
Although both China and Japan had a tradition of four categories of people, it has been commonly bel...
This paper is mainly about the study of the Kanga by Minamoto Toyomune. Here Kanga is defined as a k...
Due to the pictographic nature of Chinese characters in Japan (Kanji) and China (Hanzi), throughout ...
Includes bibliographical references (pages 51-68)Painting has been the dominant form of Chinese art ...
[[abstract]]The “Shanghai School” is a new group of new-styled painters in late Ching Shanghai. It b...
This paper will examine the development and characteristics of posters in pre-World War II China, wi...