The Musical is not only escapism nor mere entertainment as many film scholars have written. It is also ideological operations. This paper focuses on the narrative analysis of the Hollywood Musical genre during World War Ⅱ, suggesting how it produces the ideological effects of "utopian vision" on the spectator through its structure,style,and theme. To this end,I first proceed to clarify the difference between the Musical and the classical narrative. I then explore the historical development of the Musical narrative, with relation to the technological innovations and the ideological shifts. The Musical narrative contains the classical narrative and the spectacular song and dance numbers, which provide the spectator with the images of "real" a...
In 1956 Leonard Bernstein opined to his Omnibus audience that “the American musical theater has come...
This study rhetorically analyzes the musical West Side Story. The musical is analyzed using Walter F...
Introduction -- Chapter 1. Historical, political, and economic context -- Chapter 2. The aesthetic d...
The Musical is not only escapism nor mere entertainment as many film scholars have written. It is al...
This paper focuses on how the wartime conditions in Hollywood influenced the development of Hollywoo...
With the end of the Hollywood studio era, big budget blockbuster musicals had to find ways to compet...
In this chapter, I explore the role of history in Hollywood musicals, from the 1920s through until t...
The objective in this monograph is to analyze and understand the musical language of three exception...
This dissertation explores seven Hollywood adaptations of Broadway musicals from the 1960s and early...
Though no single history of the Hollywood musical exists as such, a historical narrative nevertheles...
For years, American musicals have contributed to the mythologization of the Second World War and uph...
Over forty-five films made in Nazi Germany foregrounded classical music, despite the reluctance of f...
This dissertation proposes that we consider Broadway’s history and genre development to be periodic ...
Within recent scholarship on wartime propaganda, music’s position as a device remains examined and d...
Musical theatre shows the ideals and the morale of those watching each show. In the 1950s, American ...
In 1956 Leonard Bernstein opined to his Omnibus audience that “the American musical theater has come...
This study rhetorically analyzes the musical West Side Story. The musical is analyzed using Walter F...
Introduction -- Chapter 1. Historical, political, and economic context -- Chapter 2. The aesthetic d...
The Musical is not only escapism nor mere entertainment as many film scholars have written. It is al...
This paper focuses on how the wartime conditions in Hollywood influenced the development of Hollywoo...
With the end of the Hollywood studio era, big budget blockbuster musicals had to find ways to compet...
In this chapter, I explore the role of history in Hollywood musicals, from the 1920s through until t...
The objective in this monograph is to analyze and understand the musical language of three exception...
This dissertation explores seven Hollywood adaptations of Broadway musicals from the 1960s and early...
Though no single history of the Hollywood musical exists as such, a historical narrative nevertheles...
For years, American musicals have contributed to the mythologization of the Second World War and uph...
Over forty-five films made in Nazi Germany foregrounded classical music, despite the reluctance of f...
This dissertation proposes that we consider Broadway’s history and genre development to be periodic ...
Within recent scholarship on wartime propaganda, music’s position as a device remains examined and d...
Musical theatre shows the ideals and the morale of those watching each show. In the 1950s, American ...
In 1956 Leonard Bernstein opined to his Omnibus audience that “the American musical theater has come...
This study rhetorically analyzes the musical West Side Story. The musical is analyzed using Walter F...
Introduction -- Chapter 1. Historical, political, and economic context -- Chapter 2. The aesthetic d...