The evolutionary and comparative perspective represents a persuasive view to naturalize aesthetics - however, only if we avoid one of the most common prejudice. Precisely, the preliminary reduction of the aesthetic experience to the mere sensory perception. The paper falsifies this reductive framework reconstructing the zone of proximal evolution concerning the aesthetic and artistic dimension. In particular, we take as reference point the mind of the chimpanzee, at the same time unable to make art and limited to inescapable sensory and perceptual constrains
Gadamer and many others considered Benjamin as the upholder of the allegoric and the advocate of all...
The evolution of Interaction Design could be read as a radicalization of the dogma of modern functio...
Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric p...
Starting from Husserl’s critique of hedonism in his 1920-24 Einführung in die Ethik, the article tri...
Il saggio traccia un confronto tra la teoria delle emozioni di Dewey e quella, più recente, di Marth...
The paper aims at analyzing the upshots of the kantian doctrine of space – as it is proposed inthe T...
Proceeding from the statement that \uabreading\ubb images is not at all analogous to any culturally ...
Starting from Marcuse’s notion of «affirmative culture» this short essay examines the role of poetry...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...
Partendo dalla critica dell\u2019edonismo che Husserl sviluppa nelle sue lezioni di Introduzione all...
It wouldn’t be too wrong, to assert that the modern debate about the faculty of taste has almost ent...
Moving from the analysis of «kitsch», one of the most widespread trends in contemporary art, this es...
The paper aims at drawing the main lines of a reflection about architectonic space, starting from th...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...
Heidegger’s encounter with art determines a decisive turning point inside his own path of thinking. ...
Gadamer and many others considered Benjamin as the upholder of the allegoric and the advocate of all...
The evolution of Interaction Design could be read as a radicalization of the dogma of modern functio...
Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric p...
Starting from Husserl’s critique of hedonism in his 1920-24 Einführung in die Ethik, the article tri...
Il saggio traccia un confronto tra la teoria delle emozioni di Dewey e quella, più recente, di Marth...
The paper aims at analyzing the upshots of the kantian doctrine of space – as it is proposed inthe T...
Proceeding from the statement that \uabreading\ubb images is not at all analogous to any culturally ...
Starting from Marcuse’s notion of «affirmative culture» this short essay examines the role of poetry...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...
Partendo dalla critica dell\u2019edonismo che Husserl sviluppa nelle sue lezioni di Introduzione all...
It wouldn’t be too wrong, to assert that the modern debate about the faculty of taste has almost ent...
Moving from the analysis of «kitsch», one of the most widespread trends in contemporary art, this es...
The paper aims at drawing the main lines of a reflection about architectonic space, starting from th...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...
Heidegger’s encounter with art determines a decisive turning point inside his own path of thinking. ...
Gadamer and many others considered Benjamin as the upholder of the allegoric and the advocate of all...
The evolution of Interaction Design could be read as a radicalization of the dogma of modern functio...
Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric p...