Heidegger’s encounter with art determines a decisive turning point inside his own path of thinking. Klee and Cézanne in painting and Chillida in sculpture are just some of the numerous artists Heidegger met and studied since the Thirties. These artists contributed to establish a lively dialogue with the German philosopher on the main questions concerning their works. Space becomes the theme Heidegger and Chillida investigate as the origin of the work of art – in this case, of the sculptural or, better, plastic one. As a matter of fact, the space Heidegger and Chillida refer to has nothing to do with space as conceived by modern science; therefore space is thought in terms of place where man dwells, is. In this perspective art and thought sh...
This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological do...
Posthumously published by Gottfried Boehm, Iconic may well be considered as a concise summa of Max I...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...
Starting from Husserl’s critique of hedonism in his 1920-24 Einführung in die Ethik, the article tri...
Starting from Marcuse’s notion of «affirmative culture» this short essay examines the role of poetry...
The paper aims at analyzing the upshots of the kantian doctrine of space – as it is proposed inthe T...
This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological do...
In his lifelong effort to overcome the limits of Panofsky’s iconological method, Max Imdahl tried to...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...
Moving from the analysis of «kitsch», one of the most widespread trends in contemporary art, this es...
The evolution of Interaction Design could be read as a radicalization of the dogma of modern functio...
Walter Benjamin tried to get in touch with Panofsky and the Warburg’s circle, but the attempt failed...
Proceeding from the statement that \uabreading\ubb images is not at all analogous to any culturally ...
The paper aims at drawing the main lines of a reflection about architectonic space, starting from th...
The case of Merleau-Ponty’s phenomenology is based on the weaving between experience and expression ...
This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological do...
Posthumously published by Gottfried Boehm, Iconic may well be considered as a concise summa of Max I...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...
Starting from Husserl’s critique of hedonism in his 1920-24 Einführung in die Ethik, the article tri...
Starting from Marcuse’s notion of «affirmative culture» this short essay examines the role of poetry...
The paper aims at analyzing the upshots of the kantian doctrine of space – as it is proposed inthe T...
This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological do...
In his lifelong effort to overcome the limits of Panofsky’s iconological method, Max Imdahl tried to...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...
Moving from the analysis of «kitsch», one of the most widespread trends in contemporary art, this es...
The evolution of Interaction Design could be read as a radicalization of the dogma of modern functio...
Walter Benjamin tried to get in touch with Panofsky and the Warburg’s circle, but the attempt failed...
Proceeding from the statement that \uabreading\ubb images is not at all analogous to any culturally ...
The paper aims at drawing the main lines of a reflection about architectonic space, starting from th...
The case of Merleau-Ponty’s phenomenology is based on the weaving between experience and expression ...
This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological do...
Posthumously published by Gottfried Boehm, Iconic may well be considered as a concise summa of Max I...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...