Though Shakespeare’s creations are said to be infused by the structures of popular culture, it remains uncertain how closely his characters echo the phrases of everyday speech. The text alone cannot tell us how Shakespeare’s contemporaries talked, or what commoners said of each other or of those in authority above them. Fortunately alternative and complementary sources exist that yield informal and unscripted utterances by ordinary men and women in Elizabethan and early Stuart England. Court reports, depositions, and examinations by magistrates preserve versions of scandalous and transgressive words that were never intended to be recorded. These include the gendered language of insult, expressions of social complaint, and verbal challenges ...
The article investigates whether Shakespeare used Warwickshire, Cotswold or Midlands dialect, focusi...
Shakespeare Offstage: Drama and Cultural Currency, 1603-1660 argues that the Shakespearean theater p...
Shakespeare’s representations of history often have replaced history itself in the popular imaginati...
The voice of the people is assumed to have carried little authority in early modern England. Elites ...
This paper explores how the lower classes voice discontent or political dissent in an acceptable bal...
What did it mean to raise one\u27s voice in Renaissance England? This dissertation concerns sixteent...
In 1653, the playwright, poet and antiquarian Arthur Wilson’s The History of Great Britain, being th...
The capacity for the human voice to express a speaker's desires and shape a listener's will is a con...
This item was digitized by the Internet Archive. Thesis (M.A.)--Boston UniversityLittle has been wri...
The essay investigates some stylistic and pragmatic variations across two genres and text-types per...
Accordingly, establishing the clear existence of many more, and much more commonly employed, rhyme s...
My dissertation draws on recent methodological and theoretical developments in social history in ord...
Slander and sedition represented pervasive and dangerous forces in the early modern period. Accordin...
This thesis argues that in seventeenth century England, the tongue, or more specifically the female ...
Pragmatic noise, first coined in Culpeper and Kytö (2010), refers to the semi–natural noises, such a...
The article investigates whether Shakespeare used Warwickshire, Cotswold or Midlands dialect, focusi...
Shakespeare Offstage: Drama and Cultural Currency, 1603-1660 argues that the Shakespearean theater p...
Shakespeare’s representations of history often have replaced history itself in the popular imaginati...
The voice of the people is assumed to have carried little authority in early modern England. Elites ...
This paper explores how the lower classes voice discontent or political dissent in an acceptable bal...
What did it mean to raise one\u27s voice in Renaissance England? This dissertation concerns sixteent...
In 1653, the playwright, poet and antiquarian Arthur Wilson’s The History of Great Britain, being th...
The capacity for the human voice to express a speaker's desires and shape a listener's will is a con...
This item was digitized by the Internet Archive. Thesis (M.A.)--Boston UniversityLittle has been wri...
The essay investigates some stylistic and pragmatic variations across two genres and text-types per...
Accordingly, establishing the clear existence of many more, and much more commonly employed, rhyme s...
My dissertation draws on recent methodological and theoretical developments in social history in ord...
Slander and sedition represented pervasive and dangerous forces in the early modern period. Accordin...
This thesis argues that in seventeenth century England, the tongue, or more specifically the female ...
Pragmatic noise, first coined in Culpeper and Kytö (2010), refers to the semi–natural noises, such a...
The article investigates whether Shakespeare used Warwickshire, Cotswold or Midlands dialect, focusi...
Shakespeare Offstage: Drama and Cultural Currency, 1603-1660 argues that the Shakespearean theater p...
Shakespeare’s representations of history often have replaced history itself in the popular imaginati...