Tracing back Communities. An Analysis of Ars Electronica's Digital Communities archive from an ANT perspective

Since long before the popularization of the Web, community-making has been a significant driving force for the development of the Internet. As a consequence, in mid 1990s online communities became a key object of study at the intersection of social sciences, organizational studies and computer sciences. Today, about fifteen years after these early studies, the concept ‘online community’ seems to be at stake. As a matter of fact, while communitarian ties enabled by digital media are more and more invocated, in late 2000s the Internet is revealing itself as a much more bureaucratic and profit-oriented domain than ever, to the point that it is not clear whether there exist online ties that are specific enough to be called ‘communitarian’. In order to analyse such an opaque and unstable object of study as current techno-social assemblages, innovative methods specifically developed to study fuzzy objects have to be devised and some epistemological questions have to be addressed. This research starts indeed from the impasse that the digital communitarian culture is experiencing at the end of the 2000s and borrows some epistemological insights from the Actor-Network Theory. By analyzing the entry forms submitted to the world’s leading competition for digital communities, Prix Ars Electronica, this research thus calls into question some ‘black-boxed’ concepts like ‘cyberculture’, ‘digital revolution’, ‘empowerment’ and ‘online community’ itself. On one hand, the results bring into question both leading sociological positions and hype-generated commonplaces. On the other hand, the results offer evidence to those arguments according to which current ICT developments represent the beginning of a new phase of technological enclosure