A presentation as part of the Theorising the Popular Conference, held at Liverpool Hope University in June 2017.Britain has a strong history of popular local cinema history, particularly as explored by amateur historians and non-academics. While they vary in their modes of address, they share a common emphasis on collating empirical information about exhibition practices within a town or region, in order to create a sense of individual identity. The relationship between a locality and its cinema history is thus constructed as a product of that specific place and community, rather than a non-specific expression of national or global practices. The nature of international film distribution naturally means that local cinema histories are told...
This work examines local press reporting of the 1930s cinema from 1930 up to the present day. By foc...
The new cinema history approach asserts the importance of investigating the historical reception of ...
This article proposes that due to its very different production and exhibition networks, amateur cin...
The paper was given at the 3rd Annual Community Screen Forum Conference, University of East Anglia, ...
This work examines local press reporting of the 1930s cinema from 1930 up to the present day. By foc...
This article explores the memories created and promoted through museums. It pays attention to the ro...
The late nineteenth century and early twentieth century were an important period for popular shows i...
During the 1960s, European cinema became increasingly available to British audiences. The expansion ...
This thesis investigates the development of the audience for early cinema in Glasgow. It takes a soc...
This article focuses on the results of my research project on cinemagoing heritage, concluding with ...
Paper given at History in Schools and Higher Education: Issues of Common Concern (second conference
Cinema-going was the most popular commercial leisure activity in the first half of the twentieth cen...
Drawing upon original ethnographic research of rural Welsh audiences, this article meets a burgeonin...
An introduction to a themed section of the journal edited by myself, Kate Egan and Jamie Terrill
AcceptedArticle in PressThis is the author accepted manuscript. The final version is available from ...
This work examines local press reporting of the 1930s cinema from 1930 up to the present day. By foc...
The new cinema history approach asserts the importance of investigating the historical reception of ...
This article proposes that due to its very different production and exhibition networks, amateur cin...
The paper was given at the 3rd Annual Community Screen Forum Conference, University of East Anglia, ...
This work examines local press reporting of the 1930s cinema from 1930 up to the present day. By foc...
This article explores the memories created and promoted through museums. It pays attention to the ro...
The late nineteenth century and early twentieth century were an important period for popular shows i...
During the 1960s, European cinema became increasingly available to British audiences. The expansion ...
This thesis investigates the development of the audience for early cinema in Glasgow. It takes a soc...
This article focuses on the results of my research project on cinemagoing heritage, concluding with ...
Paper given at History in Schools and Higher Education: Issues of Common Concern (second conference
Cinema-going was the most popular commercial leisure activity in the first half of the twentieth cen...
Drawing upon original ethnographic research of rural Welsh audiences, this article meets a burgeonin...
An introduction to a themed section of the journal edited by myself, Kate Egan and Jamie Terrill
AcceptedArticle in PressThis is the author accepted manuscript. The final version is available from ...
This work examines local press reporting of the 1930s cinema from 1930 up to the present day. By foc...
The new cinema history approach asserts the importance of investigating the historical reception of ...
This article proposes that due to its very different production and exhibition networks, amateur cin...