Body of Knowledge is a research project that explores how the dancer’s body can be considered as a living archive by understanding experiences – dance related and other – that have been collected by and remain in the body. Recalling and categorising memories, events, performances, training, holidays, injuries – to name a few – has inspired us to develop ‘collections’ from which we have generated new performance work. Treating the body as a living archive, we challenge more traditional archives that contain tangible artefacts and documents, and emphasise the knowledge that resides in and with the dancer. This event is the last phase of their Body of Knowledge project, and Sally, Lisa and Rachel will present some of the dancing, speak...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
For my Senior Dance Project, which represents the culminating work of the Alonzo King LINES Ballet B...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...
This abstract is for a live dance performance titled Please Do Touch, which responds fully to the th...
This performative presentation focuses on a strand of my practice that considers my body as an archi...
Over the past few decades, archival practices in dance have been the subject of substantial scrutiny...
This paper considers the notion of living archive applied to the body. What do we understand when we...
Body Of (As) Knowledge (BOK) is a collaborative practice-based research project reflecting and expa...
As a scholar in a dance department, I am expected to produce words, not movement, scholarly research...
The performativity of dance relies on the the power that different dance practices and choreographie...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
This autoethnographic video-essay is based on ‘Shadow Dance’, a performance presented in a seven sto...
As this study is an exploration of a dancer’s bodily knowledge, which is a knowing inner subst...
How dance history should be conserved, like any other human event is problematical. This article ref...
Knowledge is a concept system to structuralise our experience, and the form of knowledge has been di...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
For my Senior Dance Project, which represents the culminating work of the Alonzo King LINES Ballet B...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...
This abstract is for a live dance performance titled Please Do Touch, which responds fully to the th...
This performative presentation focuses on a strand of my practice that considers my body as an archi...
Over the past few decades, archival practices in dance have been the subject of substantial scrutiny...
This paper considers the notion of living archive applied to the body. What do we understand when we...
Body Of (As) Knowledge (BOK) is a collaborative practice-based research project reflecting and expa...
As a scholar in a dance department, I am expected to produce words, not movement, scholarly research...
The performativity of dance relies on the the power that different dance practices and choreographie...
The narrative of knowledge is almost always underpinned by the cognitive but how we know the world i...
This autoethnographic video-essay is based on ‘Shadow Dance’, a performance presented in a seven sto...
As this study is an exploration of a dancer’s bodily knowledge, which is a knowing inner subst...
How dance history should be conserved, like any other human event is problematical. This article ref...
Knowledge is a concept system to structuralise our experience, and the form of knowledge has been di...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
For my Senior Dance Project, which represents the culminating work of the Alonzo King LINES Ballet B...
This paper explores the concept that individual dancers leave traces in a choreographer’s body of wo...