Sounding Underground is a virtual environment that invites users to interact with the soundscapes of three underground public transport systems: London, Paris and México City. Commuters’ memories and imaginations are represented in sounds and images that have been selected by volunteer commuters through an ethnographic process. These sounds are assembled in a sound score that acts as a multimedia user’s interface. The score contains sonic features unique to each metro, as well as some shared sonic spaces. Sounding Underground also invites you to write memories in text, produced by listening. These memories are being published randomly in the "Listening and Remembering" page. This is an interdisciplinary practice-based research nourished ...
Thrumming Halls is a site- and presence-responsive sound installation created with warped, fractured...
The material, spatial, and social conditions of place can be revealed through ambient sound, while a...
Abstract: This paper re-visits my creative and research experiences with the creation of sound-dr...
Sounding Underground is a virtual environment that invites users to interact with the soundscapes of...
Sounding Underground is a virtual environment that invites users to interact with the soundscapes of...
Sounding Underground is an online interactive sonic environment that links sound excerpts from the m...
In 1997 the creation of a virtual underground was somehow a bizarre idea that the author attempted t...
Through interrelating the Acoustic Communication concepts of soundscape with contemporary collective...
Through interrelating the Acoustic Communication concepts of soundscape with contemporary collecti...
This paper analyses the experience of the networked off-line improvisation 'Listening and Rememberin...
This paper analyses the experience of the networked off-line improvisation ‘Listening and Rememberin...
This paper analyses the experience of the networked off-line improvisation ‘Listening and Rememberin...
The term soundscape was developed by R. Murray Schafer to describe "the sonic environment" (Schafer,...
"Listening and Remembering - Improvisation" is a networked improvisation for commuters, focusing on ...
Ways of Hearing was a national programme of research and knowledge exchange focused on listening. Pr...
Thrumming Halls is a site- and presence-responsive sound installation created with warped, fractured...
The material, spatial, and social conditions of place can be revealed through ambient sound, while a...
Abstract: This paper re-visits my creative and research experiences with the creation of sound-dr...
Sounding Underground is a virtual environment that invites users to interact with the soundscapes of...
Sounding Underground is a virtual environment that invites users to interact with the soundscapes of...
Sounding Underground is an online interactive sonic environment that links sound excerpts from the m...
In 1997 the creation of a virtual underground was somehow a bizarre idea that the author attempted t...
Through interrelating the Acoustic Communication concepts of soundscape with contemporary collective...
Through interrelating the Acoustic Communication concepts of soundscape with contemporary collecti...
This paper analyses the experience of the networked off-line improvisation 'Listening and Rememberin...
This paper analyses the experience of the networked off-line improvisation ‘Listening and Rememberin...
This paper analyses the experience of the networked off-line improvisation ‘Listening and Rememberin...
The term soundscape was developed by R. Murray Schafer to describe "the sonic environment" (Schafer,...
"Listening and Remembering - Improvisation" is a networked improvisation for commuters, focusing on ...
Ways of Hearing was a national programme of research and knowledge exchange focused on listening. Pr...
Thrumming Halls is a site- and presence-responsive sound installation created with warped, fractured...
The material, spatial, and social conditions of place can be revealed through ambient sound, while a...
Abstract: This paper re-visits my creative and research experiences with the creation of sound-dr...