Add to ORKGDisruption, intervention, transference, halfway-ness, violation – the conversion of data/sound from one medium to another results in a new material phenomena, trans-media, found in the hidden corners of esoteric technological processes. Violations is an extended event that includes the construction of a specially commissioned Dirty Electronics printed circuit board artwork/sound object, rehearsal and a large-group performance. A feedback system is designed where audio of a sequenced pattern is used to re-program itself. The event further explores how sound and/or code can collectively coalesce and gravitate or not towards a mean. The artwork for the printed circuit board takes inspiration from Arjun Appadurai’s book The Social Life of Thing...
Three-day event with Dirty Electronics and Double Wei Factory at the Museo Nacional Centro de Arte R...
Notions of Virtuosity in Electronic Music? This paper will utilise a reflexive methodology to re...
Take part in a large-group performance that questions our relationship with coding and sound generat...
Shapes, patterns, colours, materials, objects and things: all belonging to the making of sound. The ...
The Publisher's final version can be found by following the URI link.The talk will focus on making m...
For the Anarchy and Beauty exhibition at the National Portrait Gallery, London, Dirty Electronics wi...
Calling all activists, sound artists, and pseudo philosophers. Dirty Electronics and Max Wainwright ...
To challenge ourselves artistically, we must challenge our existing notions of art. In the case of t...
Voice Breaker- for multiple voice and voltage-controlled feedback - looks at alternative ways of pro...
‘The Ouija Board’ is a group musical instrument based on the real-time analysis of the movements of ...
The starting point of this article is the work of the Japanese artist Yasunao Tone, entitled MP3 Dev...
Circuit bending provides creative methods of generating sound by subverting a device’s normal operat...
From a technological necessity in projects like the Telharmonium, to a creative opportunity enjoyed ...
In the 1950’s a group of artists led by experimental composer John Cage actively engaged chance as a...
Tetsuya Umeda, Tim ShawA floor strewn with beer cans, bits of scrap metal, ceramic bowls, curious, m...
Three-day event with Dirty Electronics and Double Wei Factory at the Museo Nacional Centro de Arte R...
Notions of Virtuosity in Electronic Music? This paper will utilise a reflexive methodology to re...
Take part in a large-group performance that questions our relationship with coding and sound generat...
Shapes, patterns, colours, materials, objects and things: all belonging to the making of sound. The ...
The Publisher's final version can be found by following the URI link.The talk will focus on making m...
For the Anarchy and Beauty exhibition at the National Portrait Gallery, London, Dirty Electronics wi...
Calling all activists, sound artists, and pseudo philosophers. Dirty Electronics and Max Wainwright ...
To challenge ourselves artistically, we must challenge our existing notions of art. In the case of t...
Voice Breaker- for multiple voice and voltage-controlled feedback - looks at alternative ways of pro...
‘The Ouija Board’ is a group musical instrument based on the real-time analysis of the movements of ...
The starting point of this article is the work of the Japanese artist Yasunao Tone, entitled MP3 Dev...
Circuit bending provides creative methods of generating sound by subverting a device’s normal operat...
From a technological necessity in projects like the Telharmonium, to a creative opportunity enjoyed ...
In the 1950’s a group of artists led by experimental composer John Cage actively engaged chance as a...
Tetsuya Umeda, Tim ShawA floor strewn with beer cans, bits of scrap metal, ceramic bowls, curious, m...
Three-day event with Dirty Electronics and Double Wei Factory at the Museo Nacional Centro de Arte R...
Notions of Virtuosity in Electronic Music? This paper will utilise a reflexive methodology to re...
Take part in a large-group performance that questions our relationship with coding and sound generat...