Add to ORKGThis text was a 'reaction' during a conference on scholarship relating to sound art and music and why their discourses are so dissimilar. The reaction was based both on the challenges and the interventions the author had heard during the colloquium. The key point is that sound art can be perceived (also) as music and that therefore musical discourse can be as relevant to both and, perhaps, fine art discourse offers value to discussions of other types of organised sound
Speech and music are both based on sounds which are uttered and received, and that can be organized ...
Extoling and promoting listening is deeply ingrained, even on occasion raison d’être, in sound art p...
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connecti...
This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound ar...
This article addresses various approaches to the category of 'sound art' in order to question some o...
Sound as material posits an art practice that resides between music and the plastic arts, but is in ...
The visual arts include painting, sculpture, photography, video and film. But many people would arg...
Music is an aural art because it uses organized sound as the medium for the several roles that it pl...
Music is presented in this discourse as a coin with two sides –thus as an Art also as a science. Loo...
"A brief history of sound art is, in a nutshell, a history of sonic forms of expression that through...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...
In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium entitled "Music - Sound Art: Histori...
This thesis describes the way in which sound is taken up and subsequently suppressed within the visu...
In many ways, all non-representational arts have distanced themselves to a greater or lesser extent ...
Conference paper contributing to conference theme 'Electroacoustic Music Beyond Concert Performance'...
Speech and music are both based on sounds which are uttered and received, and that can be organized ...
Extoling and promoting listening is deeply ingrained, even on occasion raison d’être, in sound art p...
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connecti...
This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound ar...
This article addresses various approaches to the category of 'sound art' in order to question some o...
Sound as material posits an art practice that resides between music and the plastic arts, but is in ...
The visual arts include painting, sculpture, photography, video and film. But many people would arg...
Music is an aural art because it uses organized sound as the medium for the several roles that it pl...
Music is presented in this discourse as a coin with two sides –thus as an Art also as a science. Loo...
"A brief history of sound art is, in a nutshell, a history of sonic forms of expression that through...
In October 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled Sound Art and Musi...
In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium entitled "Music - Sound Art: Histori...
This thesis describes the way in which sound is taken up and subsequently suppressed within the visu...
In many ways, all non-representational arts have distanced themselves to a greater or lesser extent ...
Conference paper contributing to conference theme 'Electroacoustic Music Beyond Concert Performance'...
Speech and music are both based on sounds which are uttered and received, and that can be organized ...
Extoling and promoting listening is deeply ingrained, even on occasion raison d’être, in sound art p...
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connecti...