Blueprint was a collaboration with performers, non-performers and new technology. The piece sets up video links to the performers real-life mothers, and begins to investigate the performers heritage – culturally, genetically and personally. The performers liaise with their mothers as they exchange stories and perform tasks as they all reveal shared genetic traits and unearth forgotten memories. Autobiographies become confused as the voices of the past and present shift between the performers and their mothers. Blueprint is a collaborative (Garton and Rippel) practice as research project explores reminiscence, nostalgia and motherhood, featuring four female performers and their real-life mothers digitally mediated via video call. The rela...
© 2016 Corinna BerndtThis investigation explores the different ways in which the image space of digi...
Performing Memory was a symposium held at Kunstraum Niederösterreich Vienna and an eponymous publica...
For this live performance the artists built their own private club-come-bedroom-stage in Tramway 4. ...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
The presentation considers the impact of commercial photographic conventions being applied to the re...
The live performance and installation was staged at the South London Gallery as part of the closing ...
This exhibition and performance were the culmination of a two week research residency at Cozens Stre...
In order to articulate the contributions that experimental performance and feminist scholarship on r...
website, a publication and a project presentation Photographic material. Machine Room: a blueprint...
Arachne is a devised theatre piece involving voices, harpsichord and electronics. The piece is, as y...
Revisiting Mother is a performance about documenting processes whilst engaging with contemporary con...
The Pan's People Papers is a Transmedia project developing over three years by the artist-researcher...
I created Experience Has No Shadow (2010) following a successful Ausdance Qld choreographic grant in...
Machine Room is a collaborative research project between four artists that began in the summer of 20...
Shared Material on Dying is a trio/solo work commissioned by Jenny Roche and the Dublin Dance Festiv...
© 2016 Corinna BerndtThis investigation explores the different ways in which the image space of digi...
Performing Memory was a symposium held at Kunstraum Niederösterreich Vienna and an eponymous publica...
For this live performance the artists built their own private club-come-bedroom-stage in Tramway 4. ...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
The presentation considers the impact of commercial photographic conventions being applied to the re...
The live performance and installation was staged at the South London Gallery as part of the closing ...
This exhibition and performance were the culmination of a two week research residency at Cozens Stre...
In order to articulate the contributions that experimental performance and feminist scholarship on r...
website, a publication and a project presentation Photographic material. Machine Room: a blueprint...
Arachne is a devised theatre piece involving voices, harpsichord and electronics. The piece is, as y...
Revisiting Mother is a performance about documenting processes whilst engaging with contemporary con...
The Pan's People Papers is a Transmedia project developing over three years by the artist-researcher...
I created Experience Has No Shadow (2010) following a successful Ausdance Qld choreographic grant in...
Machine Room is a collaborative research project between four artists that began in the summer of 20...
Shared Material on Dying is a trio/solo work commissioned by Jenny Roche and the Dublin Dance Festiv...
© 2016 Corinna BerndtThis investigation explores the different ways in which the image space of digi...
Performing Memory was a symposium held at Kunstraum Niederösterreich Vienna and an eponymous publica...
For this live performance the artists built their own private club-come-bedroom-stage in Tramway 4. ...