I delivered this talk at the Visual Communication and Globalization Symposium, the University of Leeds.In this invited presentation I looked into processes of cultural exchange and hybridisation carried out in and through photographic practices and images. It focused on nineteenth-, twentieth-, and twenty-first century visual negotiations of social identities in the Middle East, in the light of colonialist expansion and military conquest. I demonstrated that these inform the visual vocabularies and subjectivities in question, complicating normative narratives about, and the perception of the peoples living in this geographical terrain
The present work explores my practice as a photojournalist researching anthropological issues in the...
The discussion here considers the background to my research, my developing practice as an artist and...
L’analyse des œuvres plastiques élaborées par des artistes modernes et contemporains dans les sociét...
Asking what does foreign occupation look like and how does occupation shape visual expression and cu...
This text discusses questions of definition and of translation, both textual and cultural, in relati...
The book presents a collection of readings to reflect and develop the varied and dynamic interfaces ...
This paper is part of an on-going investigation of contemporary museum practice and the representati...
Imaging and Imagining Palestine is the first comprehensive study of photography during the British M...
Based on eighteen months fieldwork with Bedouin of the Negev, this thesis explores the varied presen...
This special issue of META: Middle East, Topics and Arguments, engages with the methodology of icono...
My thesis argues that Mahtab Hussain’s photographs offer a distinct model for representing British A...
This project will investigate how home and identity is constructed in the works of artists who opera...
In Mapping Sitting, photographic works are presented to raise questions about how portraiture photog...
In this doctoral project I examine lineages of imaging in Palestine, and more specifically Jerusalem...
Photography presents presence and identity questions. We have look for evidence of our existence , m...
The present work explores my practice as a photojournalist researching anthropological issues in the...
The discussion here considers the background to my research, my developing practice as an artist and...
L’analyse des œuvres plastiques élaborées par des artistes modernes et contemporains dans les sociét...
Asking what does foreign occupation look like and how does occupation shape visual expression and cu...
This text discusses questions of definition and of translation, both textual and cultural, in relati...
The book presents a collection of readings to reflect and develop the varied and dynamic interfaces ...
This paper is part of an on-going investigation of contemporary museum practice and the representati...
Imaging and Imagining Palestine is the first comprehensive study of photography during the British M...
Based on eighteen months fieldwork with Bedouin of the Negev, this thesis explores the varied presen...
This special issue of META: Middle East, Topics and Arguments, engages with the methodology of icono...
My thesis argues that Mahtab Hussain’s photographs offer a distinct model for representing British A...
This project will investigate how home and identity is constructed in the works of artists who opera...
In Mapping Sitting, photographic works are presented to raise questions about how portraiture photog...
In this doctoral project I examine lineages of imaging in Palestine, and more specifically Jerusalem...
Photography presents presence and identity questions. We have look for evidence of our existence , m...
The present work explores my practice as a photojournalist researching anthropological issues in the...
The discussion here considers the background to my research, my developing practice as an artist and...
L’analyse des œuvres plastiques élaborées par des artistes modernes et contemporains dans les sociét...