Add to ORKGThe authors propose that while many fields of design are involved in reflexive interactions with design research tools, others are strongly heuristic in both their application of historic knowledge bases and in the ways in which they allow themselves to move forward, to construct new knowledge as an extension of craft thinking with user-centred evidence. These historical frames become a limiting factor in both the ways that practice can develop but also, more worryingly, in the ways in which these fields can develop their own research tools
What is commonly called “Design” has traditionally focused on communication, problem solving, or aes...
The authors would like to thank the Research Department of Universidad EAFIT, and in particular the ...
Book synopsis: Design and Anthropology challenges conventional thinking regarding the nature of desi...
This article draws on case studies undertaken in postgraduate research at AUT University, Auckland. ...
As design thinking evolves we are beginning to develop a clearer idea of its relationship to other d...
AbstractSet in the context of a particular orthodoxy about the history of design research over the l...
Set in the context of a particular orthodoxy about the history of design research over the last 50 y...
Design Research is powerful, promising and increasingly popular, but it is also ambiguous, broad, an...
In this article, I examine the foundations of design knowledge and how they have been disrupted as t...
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.Includes bibliogra...
This chapter, commissioned for an edited book on history's reception, interpretation and use within ...
To assure the reliability of results, design research has often adopted the methods of other discipl...
The paper begins with a brief review of the historical concerns with the relationship between design...
Research supports the central role cognitive strategies can play in successful concept generation by...
Design is drawing an open field of enquiry involving a wide range of expertise and products. In the ...
What is commonly called “Design” has traditionally focused on communication, problem solving, or aes...
The authors would like to thank the Research Department of Universidad EAFIT, and in particular the ...
Book synopsis: Design and Anthropology challenges conventional thinking regarding the nature of desi...
This article draws on case studies undertaken in postgraduate research at AUT University, Auckland. ...
As design thinking evolves we are beginning to develop a clearer idea of its relationship to other d...
AbstractSet in the context of a particular orthodoxy about the history of design research over the l...
Set in the context of a particular orthodoxy about the history of design research over the last 50 y...
Design Research is powerful, promising and increasingly popular, but it is also ambiguous, broad, an...
In this article, I examine the foundations of design knowledge and how they have been disrupted as t...
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.Includes bibliogra...
This chapter, commissioned for an edited book on history's reception, interpretation and use within ...
To assure the reliability of results, design research has often adopted the methods of other discipl...
The paper begins with a brief review of the historical concerns with the relationship between design...
Research supports the central role cognitive strategies can play in successful concept generation by...
Design is drawing an open field of enquiry involving a wide range of expertise and products. In the ...
What is commonly called “Design” has traditionally focused on communication, problem solving, or aes...
The authors would like to thank the Research Department of Universidad EAFIT, and in particular the ...
Book synopsis: Design and Anthropology challenges conventional thinking regarding the nature of desi...