Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive Entertainment, that will take place in Chicago, United States, July 9–11, 2014This paper will reflect on several practice-based investigations that examined the transformational effect of performing artists collaborating with thinking machines. A series of works have been created that forefront the laptop as performer. Embedded within the algorithmic logic of these machines are aesthetic choices that contribute to the fluid realisation of each work. In a sense, these machines are endowed with the composer’s aesthetic choices, which are realised live through performance and their interaction with humans. Piece 1: Three Last Voices (20...
The article is about AI research in the context of a complex artistic behavior: expressive music per...
Tl;dr: Using computers to produce creative artefacts is a form of computational creativity. Using cr...
Presented on February 28, 2013 in the DramaTech Theater.Runtime: 16:07 minutes.This talk will focus ...
This paper will reflect on several practice-based investigations that examined the transformational ...
ImprovCues is an installation that engages the audience with machine-learning generated musical cues...
In this paper we propose a framework to take the next step towards making creative machines. Taking ...
International audienceThis article presents a five-year collaboration situated at the intersection o...
This article explores the notion of human and computational creativity as well as core challenges fo...
The purpose of this article is to demonstrate how advanced computer methods may be able to provide...
© 2016, Springer Science+Business Media Dordrecht. This paper analyzes creative practice including v...
This chapter is about computational modelling of the process of musical composition, based on a cogn...
The nascent field of what has come to be known as “creative AI” consists of a range of activities at...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
In this chapter, I present a pragmatic, critical, and sometimes speculative view of what Machine Lea...
The article is about AI research in the context of a complex artistic behavior: expressive music per...
Tl;dr: Using computers to produce creative artefacts is a form of computational creativity. Using cr...
Presented on February 28, 2013 in the DramaTech Theater.Runtime: 16:07 minutes.This talk will focus ...
This paper will reflect on several practice-based investigations that examined the transformational ...
ImprovCues is an installation that engages the audience with machine-learning generated musical cues...
In this paper we propose a framework to take the next step towards making creative machines. Taking ...
International audienceThis article presents a five-year collaboration situated at the intersection o...
This article explores the notion of human and computational creativity as well as core challenges fo...
The purpose of this article is to demonstrate how advanced computer methods may be able to provide...
© 2016, Springer Science+Business Media Dordrecht. This paper analyzes creative practice including v...
This chapter is about computational modelling of the process of musical composition, based on a cogn...
The nascent field of what has come to be known as “creative AI” consists of a range of activities at...
This paper describes an AI system, Autopia, designed to participate in collaborative live coding mus...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
In this chapter, I present a pragmatic, critical, and sometimes speculative view of what Machine Lea...
The article is about AI research in the context of a complex artistic behavior: expressive music per...
Tl;dr: Using computers to produce creative artefacts is a form of computational creativity. Using cr...
Presented on February 28, 2013 in the DramaTech Theater.Runtime: 16:07 minutes.This talk will focus ...