This is a pre-copy-editing, author-produced PDF of an article accepted for publication in The year's work in English studies, following peer review. The definitive publisher-authenticated version Egan, G. (2007) Shakespeare: editions and textural studies. The Year's Work in English Studies, 86 (1), pp. 333-352, 446-449. is available online at: http://dx.doi.org/10.1093/ywes/mam00
The third edition (F3) of the collected plays of Shakespeare appeared in 1663, and to its second is...
Play scripts differ from prose narratives and poetry because they are meant to undergo a further tra...
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in The year's...
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in The year's...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
No-one reads a Shakespeare play more closely than an editor making a critical edition, although the ...
Shakespeare editing in the twentieth century involves a history of practice, and a history of ideas ...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...
Covering the changes in Shakespeare editorial theory and practice over the decades between the publi...
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggl...
textIf Shakespeare contributed the additions to the 1602 edition of Thomas Kyd's The Spanish tragedy...
The file attached to this record is the authors final peer reviewed version. The final publishers ve...
It has long been suspected that Titus Andronicus is a co-authored play, though it has never been edi...
This is a post-peer-review, pre-copyedited version of an article published in Critical Survey. The d...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
The third edition (F3) of the collected plays of Shakespeare appeared in 1663, and to its second is...
Play scripts differ from prose narratives and poetry because they are meant to undergo a further tra...
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in The year's...
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in The year's...
This article engages with one of the current critical and bibliographical concerns of Shakespeare st...
No-one reads a Shakespeare play more closely than an editor making a critical edition, although the ...
Shakespeare editing in the twentieth century involves a history of practice, and a history of ideas ...
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be pe...
Covering the changes in Shakespeare editorial theory and practice over the decades between the publi...
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggl...
textIf Shakespeare contributed the additions to the 1602 edition of Thomas Kyd's The Spanish tragedy...
The file attached to this record is the authors final peer reviewed version. The final publishers ve...
It has long been suspected that Titus Andronicus is a co-authored play, though it has never been edi...
This is a post-peer-review, pre-copyedited version of an article published in Critical Survey. The d...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
The third edition (F3) of the collected plays of Shakespeare appeared in 1663, and to its second is...
Play scripts differ from prose narratives and poetry because they are meant to undergo a further tra...
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in The year's...