‘What do you think you are looking at?’ focused on extending the interpretation, and re-examining the issues, of meaning in contemporary abstract painting and is significant in enhancing practice in the field. The research explored the question in the title through a dialogue between the works and between the researchers in the catalogue. In particular the significance of the exhibition lies in convening questions about the way in which the work is ‘seen’ and what can be thought and said about what is seen; about the nature of perceptual experience. The invitation extended to Kirkwood and Lancaster by the curator at Space4 to exhibit followed a successful show of smaller works in Australia. The aim of the curator was to put on an exhibi...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
We are a group of three painters. Gary Simmonds from Sheffield Hallam University, abstract painter ...
This was a paper given at the Symposium, 'Painting/looking' at The Collection, Lincoln — 16th April ...
A collaborative project, involving a dialogue between two contemporary artists, the exhibition is or...
The research entailed three joint exhibitions of work by Kirkwood and Lancaster of two separate bodi...
As an artist my research involves investigating the nature of visual perception, arriving at novel w...
The crux of this investigation is the combination of realist and abstract elements in pictorial spac...
Peter Lamb, Angele Lautier, Marylyn Molisso, Laurence Noga, Michael Stubbs, Ken Turner, Mark Walling...
This paper was delivered as part of a one-day painting symposium, titled: British Abstract Painting ...
This project emerged from my interest in the materiality of painting. Initial research identified ar...
My studio practice undertaken during the period of my PhD candidature is given historical, conceptua...
Eventually Everything Connects (2015) Can new artwork be produced through a reflective and critical...
For this conversation between the curators of the group exhibition John Bunker and myself chose to ...
Group exhibition: ‘Signifiance: Painting Beyond Boundaries’, Liverpool Hope University, UK, 2022. Ar...
Conversations in Painting is an exhibition by four artists working with, and against the boundaries ...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
We are a group of three painters. Gary Simmonds from Sheffield Hallam University, abstract painter ...
This was a paper given at the Symposium, 'Painting/looking' at The Collection, Lincoln — 16th April ...
A collaborative project, involving a dialogue between two contemporary artists, the exhibition is or...
The research entailed three joint exhibitions of work by Kirkwood and Lancaster of two separate bodi...
As an artist my research involves investigating the nature of visual perception, arriving at novel w...
The crux of this investigation is the combination of realist and abstract elements in pictorial spac...
Peter Lamb, Angele Lautier, Marylyn Molisso, Laurence Noga, Michael Stubbs, Ken Turner, Mark Walling...
This paper was delivered as part of a one-day painting symposium, titled: British Abstract Painting ...
This project emerged from my interest in the materiality of painting. Initial research identified ar...
My studio practice undertaken during the period of my PhD candidature is given historical, conceptua...
Eventually Everything Connects (2015) Can new artwork be produced through a reflective and critical...
For this conversation between the curators of the group exhibition John Bunker and myself chose to ...
Group exhibition: ‘Signifiance: Painting Beyond Boundaries’, Liverpool Hope University, UK, 2022. Ar...
Conversations in Painting is an exhibition by four artists working with, and against the boundaries ...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
We are a group of three painters. Gary Simmonds from Sheffield Hallam University, abstract painter ...
This was a paper given at the Symposium, 'Painting/looking' at The Collection, Lincoln — 16th April ...