Add to ORKGA text commissioned for, used as part of, an exhibition of jewellery art by Dauvit Alexander and Dan Russell, titled ‘A Waste Land,’ held at Vittoria Street Gallery, Birmingham (February) and the Sun Pier House Gallery, Chatham, Kent (March) 2019
A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying th...
Path(s), Kinder Scout, are two pieces of work developed as part of the This Land is Our Land researc...
An exhibition of digital and embroidered images of extinct and vulnerable plants and animals, from a...
'A Journey with ‘The Waste Land’' is a new project by Turner Contemporary in Margate. Members of th...
Newhaven Art Projects commissioned artist Ian Dawson to curate 'The Wastemakers on Cornucopia Street...
Wastework is the third and final iteration of an exhibition which began as The Waste Makers on Cornu...
My painting 'Aurora 13' (oil paint on reverse of patterned furnishing fabric) selected for inclusion...
Arkadia is a 6 month public art commission resulting in an exhibition opening on the 23rd September ...
Wastiary, or Bestiary of Waste, is a creative exercise that occupies letters, numbers, and symbols o...
In 1921 the poet T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arriv...
Leather, wool, hand-blown glass. Size: approximately 80cm X 60cm 50cm. Weight 6.5 kg. Shown here wit...
The Center for the Living Things is a research institute founded in 2016 in order to examine, collec...
How can we re-use waste? In 2014, I was commissioned to produce a piece of work for a group exhib...
This is a new sculpture installation work produced for the forthcoming exhibition, 'Aftermath' at Ge...
Waste is a natural process, a pervasive material, an invaluable resource; a crucial element in the w...
A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying th...
Path(s), Kinder Scout, are two pieces of work developed as part of the This Land is Our Land researc...
An exhibition of digital and embroidered images of extinct and vulnerable plants and animals, from a...
'A Journey with ‘The Waste Land’' is a new project by Turner Contemporary in Margate. Members of th...
Newhaven Art Projects commissioned artist Ian Dawson to curate 'The Wastemakers on Cornucopia Street...
Wastework is the third and final iteration of an exhibition which began as The Waste Makers on Cornu...
My painting 'Aurora 13' (oil paint on reverse of patterned furnishing fabric) selected for inclusion...
Arkadia is a 6 month public art commission resulting in an exhibition opening on the 23rd September ...
Wastiary, or Bestiary of Waste, is a creative exercise that occupies letters, numbers, and symbols o...
In 1921 the poet T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arriv...
Leather, wool, hand-blown glass. Size: approximately 80cm X 60cm 50cm. Weight 6.5 kg. Shown here wit...
The Center for the Living Things is a research institute founded in 2016 in order to examine, collec...
How can we re-use waste? In 2014, I was commissioned to produce a piece of work for a group exhib...
This is a new sculpture installation work produced for the forthcoming exhibition, 'Aftermath' at Ge...
Waste is a natural process, a pervasive material, an invaluable resource; a crucial element in the w...
A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying th...
Path(s), Kinder Scout, are two pieces of work developed as part of the This Land is Our Land researc...
An exhibition of digital and embroidered images of extinct and vulnerable plants and animals, from a...