Type specimens are defined as typographic design that showcases a typeface design and its use. Information graphics can both present and explain the context for a new type design. These Initial forms were revived into an information graphic diagram to explain the content of Piranes’s letterform ‘beliefs’ within the Graeco-Roman debate. This graphic explains Giovanni Battista Piranesi’s plate 41 Fig. II and III of Le Antichità Romane. Where single capital ‘E’ is highlighted with the addition of component serifs as the source of the Roman. This insight provides the potential to extend the ETRVSCA font into a larger family of both serif-less and partial vestigial serif fonts within future practice-based research. The research and developmen...
Type specimens are defined as typographic design that showcases a typeface design and its use. The f...
In the early decades of the twenty-first century, parallel to digital technology developments and gr...
This article focuses on a specific aspect of the work of G.B. Piranesi: the knowledge of the technic...
Type specimens are defined as typographic design that showcases a typeface design and its use. Infor...
Type specimens are defined as typographic design that showcases a typeface design and its use. These...
ETRVSCA Sans - The Primal 18th Century Sans This practice-based historical research identifies the ...
ETRVSCA - The Primal 18th Century Sans This practice-based historical research identifies the archi...
The search for the origin of today’s commercial sans serif typography has become something of a “hol...
This PhD-research is conducted to test the hypothesis that Gutenberg and consorts developed a stan...
Alverata: a typeface design for Europe This typeface is a response to the extraordinarily diver...
Type specimens are defined as typographic design that showcases a typeface design and its use. The S...
Abstract. The humanists of the Renaissance believed that their mission was to revive the magnificenc...
In the history of Graphic Design, the countries that are most renowned for their influence on typogr...
The ancients did not have printing and so the knowledge of these ancient things was lost and by mean...
This thesis introduces and discusses a new method for analysing printed type and applies it to 15th...
Type specimens are defined as typographic design that showcases a typeface design and its use. The f...
In the early decades of the twenty-first century, parallel to digital technology developments and gr...
This article focuses on a specific aspect of the work of G.B. Piranesi: the knowledge of the technic...
Type specimens are defined as typographic design that showcases a typeface design and its use. Infor...
Type specimens are defined as typographic design that showcases a typeface design and its use. These...
ETRVSCA Sans - The Primal 18th Century Sans This practice-based historical research identifies the ...
ETRVSCA - The Primal 18th Century Sans This practice-based historical research identifies the archi...
The search for the origin of today’s commercial sans serif typography has become something of a “hol...
This PhD-research is conducted to test the hypothesis that Gutenberg and consorts developed a stan...
Alverata: a typeface design for Europe This typeface is a response to the extraordinarily diver...
Type specimens are defined as typographic design that showcases a typeface design and its use. The S...
Abstract. The humanists of the Renaissance believed that their mission was to revive the magnificenc...
In the history of Graphic Design, the countries that are most renowned for their influence on typogr...
The ancients did not have printing and so the knowledge of these ancient things was lost and by mean...
This thesis introduces and discusses a new method for analysing printed type and applies it to 15th...
Type specimens are defined as typographic design that showcases a typeface design and its use. The f...
In the early decades of the twenty-first century, parallel to digital technology developments and gr...
This article focuses on a specific aspect of the work of G.B. Piranesi: the knowledge of the technic...