This contribution defines the legal status of copies from a copyright, contractual and tax law standpoint, as most artworks are not unique and may be duplicated (e.g. photographic prints produced based on the master negative, copies of a sculpture produced based on the master). The contribution also analyzes the legal consequences of this status (original or copies) on the acquisition contracts (in particular purchase agreement and certificate of authenticity), in particular when the artwork is supposed to be part of a limited edition (e.g. photographic print limited to 5 prints)
The original is not only an aesthetic term but also part of copyright terminology. As such, the orig...
The purpose of this paper is to explore the legal consequences of the digitisation of cultural herit...
The purpose of this paper is to explore the legal consequences of the digitisation of cultural herit...
Since their inception, copyright and proto-copyright laws have been developed around the concept of ...
In his essay on imitation in the arts, Adam Smith considers that the exact copy of an artwork always...
The United States Supreme Court treats originality as the sine qua non of copyright. How can this ab...
Turning to lessons from foreign jurisdictions, this note explores from a copyright perspective the f...
Turning to lessons from foreign jurisdictions, this note explores from a copyright perspective the f...
Most, if not all, copyright laws distinguish between ownership of the incorporeal copyright, and own...
in English Painting as an Object of Jurudical Acts The work is focused on individual types of legal ...
Two artworks from the U.S. copyright case Cariou v. Prince provide examples for an inquiry into the ...
Archives services which contemplate digitising photos and making them available are expected to obta...
There are many archive services which today hold significant collections of press photos. These may ...
Putzger A. The Legitimacy of Substitute Copies in the Visual Arts. In: Joerden JC, ed. Recht und Eth...
The present study deals with the prerogatives associated with work distribution in copyright law. Th...
The original is not only an aesthetic term but also part of copyright terminology. As such, the orig...
The purpose of this paper is to explore the legal consequences of the digitisation of cultural herit...
The purpose of this paper is to explore the legal consequences of the digitisation of cultural herit...
Since their inception, copyright and proto-copyright laws have been developed around the concept of ...
In his essay on imitation in the arts, Adam Smith considers that the exact copy of an artwork always...
The United States Supreme Court treats originality as the sine qua non of copyright. How can this ab...
Turning to lessons from foreign jurisdictions, this note explores from a copyright perspective the f...
Turning to lessons from foreign jurisdictions, this note explores from a copyright perspective the f...
Most, if not all, copyright laws distinguish between ownership of the incorporeal copyright, and own...
in English Painting as an Object of Jurudical Acts The work is focused on individual types of legal ...
Two artworks from the U.S. copyright case Cariou v. Prince provide examples for an inquiry into the ...
Archives services which contemplate digitising photos and making them available are expected to obta...
There are many archive services which today hold significant collections of press photos. These may ...
Putzger A. The Legitimacy of Substitute Copies in the Visual Arts. In: Joerden JC, ed. Recht und Eth...
The present study deals with the prerogatives associated with work distribution in copyright law. Th...
The original is not only an aesthetic term but also part of copyright terminology. As such, the orig...
The purpose of this paper is to explore the legal consequences of the digitisation of cultural herit...
The purpose of this paper is to explore the legal consequences of the digitisation of cultural herit...