The perceived distance of the camera from the subject of a filmed scene, namely shot scale, is a prominent formal feature of any filmic product, endowed with both stylistic and narrative functions. To measure how shot scale affects both lower and higher complexity responses in viewers, we first investigate how the distribution and rotation of Close, Medium, and Long Shots relate to viewers’ rating on film mood, assessed in terms of hedonic tone, energetic arousal, and tense arousal on an extensive set of 50 film clips. Then we examine the effect of shot scale on viewers of violent scenes in terms of narrative engagement and its sub-scales: narrative understanding, attentional focus, emotional engagement, and narrative presence. To enable su...
Mental state attribution, an important aspect of social cognition, refers to the verbalization of me...
In recent years, studies have estimated affective movie content computationally with stylistic featu...
The scale of shot, i.e. the apparent distance of the camera from the main subject of a scene, is one...
The perceived distance of the camera from the subject of a filmed scene, namely shot scale, is a pro...
The apparent distance of the camera from the subject of a filmed scene, namely shot scale, is one of...
In film-making, the distance from the camera to the subject greatly affects the narrative power of a...
Theory of mind, defined as attributing intentions, feelings, and thoughts to others, is a key capaci...
This article provides evidence for the existence of a robust “brain-print” of cinematic shot-scales ...
Abstract. Theory of mind, defined as attributing intentions, feelings, and thoughts to others, is a ...
This article provides evidence for the existence of a robust "brainprint" of cinematic shot-scales t...
Theory of mind (ToM) processing is crucial in everyday social functioning. Fictional film narratives...
Recent research debates the effects of exposure to narrative fiction on recognition of mental states...
Characters and their conflicting desires are fundamental to fictional narratives. According to Smith...
Films elicit emotions in viewers by infusing the story they tell with an affective character or tone...
Films elicit emotions in viewers by infusing the story they tell with an affective character or tone...
Mental state attribution, an important aspect of social cognition, refers to the verbalization of me...
In recent years, studies have estimated affective movie content computationally with stylistic featu...
The scale of shot, i.e. the apparent distance of the camera from the main subject of a scene, is one...
The perceived distance of the camera from the subject of a filmed scene, namely shot scale, is a pro...
The apparent distance of the camera from the subject of a filmed scene, namely shot scale, is one of...
In film-making, the distance from the camera to the subject greatly affects the narrative power of a...
Theory of mind, defined as attributing intentions, feelings, and thoughts to others, is a key capaci...
This article provides evidence for the existence of a robust “brain-print” of cinematic shot-scales ...
Abstract. Theory of mind, defined as attributing intentions, feelings, and thoughts to others, is a ...
This article provides evidence for the existence of a robust "brainprint" of cinematic shot-scales t...
Theory of mind (ToM) processing is crucial in everyday social functioning. Fictional film narratives...
Recent research debates the effects of exposure to narrative fiction on recognition of mental states...
Characters and their conflicting desires are fundamental to fictional narratives. According to Smith...
Films elicit emotions in viewers by infusing the story they tell with an affective character or tone...
Films elicit emotions in viewers by infusing the story they tell with an affective character or tone...
Mental state attribution, an important aspect of social cognition, refers to the verbalization of me...
In recent years, studies have estimated affective movie content computationally with stylistic featu...
The scale of shot, i.e. the apparent distance of the camera from the main subject of a scene, is one...