Live performances which involve digital technology often strive toward clear correspondences between distinct media modes, particularly those works which combine audio and video. Often, the process of creating and executing such performances involves mapping schemes which are encased within the digital system, producing content which is tightly synchronized but with relationships which can feel rigid and unexpressive. Within this paper we present a collaborative process between visualist and musician, which builds toward a method for promoting co-creativity in multimedia performance and prioritizes the performer’s physical presence and interaction with digital content. Through the development of two autonomous systems, a novel physical inte...
This article adopts an ecological view of digital musical interactions, first considering the relati...
Abstract Virtual environments are beginning to allow musicians to perform collaboratively in real ti...
This position paper considers music as a platform to explore tangible interaction for collaborative ...
This paper describes the rationale behind the development of a digital performance system which enab...
The Physical Computing Ensemble was created in order to determine the viability of an approach to mu...
Software and hardware developments in the 21st century have greatly expanded the realm of possibilit...
This article explores the dynamic interaction of sound and image creativity through technology. Focu...
This thesis builds on the growing interest in studying interactive performances within the fields of...
This demonstration paper describes the conception, design and implementation of a hardware/software ...
Using a research through design approach, this thesis presents a first prototype of Plot Twister, a ...
This PhD reports research on current representative performance paradigms using various interfaces f...
In this paper we introduce a multimodal platform for Hybrid Reality live performances: by means of n...
We present a new framework to study the interaction between musicians, technology and various capabi...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
International audienceThe power of interactive 3D graphics, immersive displays, and spatial interfac...
This article adopts an ecological view of digital musical interactions, first considering the relati...
Abstract Virtual environments are beginning to allow musicians to perform collaboratively in real ti...
This position paper considers music as a platform to explore tangible interaction for collaborative ...
This paper describes the rationale behind the development of a digital performance system which enab...
The Physical Computing Ensemble was created in order to determine the viability of an approach to mu...
Software and hardware developments in the 21st century have greatly expanded the realm of possibilit...
This article explores the dynamic interaction of sound and image creativity through technology. Focu...
This thesis builds on the growing interest in studying interactive performances within the fields of...
This demonstration paper describes the conception, design and implementation of a hardware/software ...
Using a research through design approach, this thesis presents a first prototype of Plot Twister, a ...
This PhD reports research on current representative performance paradigms using various interfaces f...
In this paper we introduce a multimodal platform for Hybrid Reality live performances: by means of n...
We present a new framework to study the interaction between musicians, technology and various capabi...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
International audienceThe power of interactive 3D graphics, immersive displays, and spatial interfac...
This article adopts an ecological view of digital musical interactions, first considering the relati...
Abstract Virtual environments are beginning to allow musicians to perform collaboratively in real ti...
This position paper considers music as a platform to explore tangible interaction for collaborative ...