This paper seeks to redefine the scholarship on Aldo Rossi (1931-1997), an Italian architect known for having reintroduced symbolism to European architecture after the 1960s. My thesis addresses questions surrounding the development of Rossi’s theory of city morphology, proposing that it was rooted in antifascist sentiments and influenced by politics of the Cold War. Rossi’s professional growth is outlined through a period conditioned by the reactionary ideologies of postwar Europe, which deeply influenced the nation’s culture and shaped artistic production. This thesis relies on unpublished archival material from Rossi’s early career that documents the leading political and philosophical ideas of his time. It reveals Rossi’s growing intere...
This dissertation studies a critical turn in Southern European discourses on urban form, one that sh...
This paper was presented during the International conference: ‘Theoretical Currents I: Architecture,...
The ‘Italian retreat from modern architecture’ sanctioned by R. Banham (1959), led into the differen...
This paper seeks to redefine the scholarship on Aldo Rossi (1931-1997), an Italian architect known f...
PhD ThesisThis thesis poses the question of the nature of Aldo Rossi’s (1931–97) approach to memory...
In the 1960s, for Aldo Rossi the construction of an alternative to the capitalist city and the propo...
This thesis considers the works of two divergent architectural movements in Italy in 1972, the Neo-R...
Aldo Rossi, one of the most important figures of the last century who determined and characterized ...
Aldo Rossi argued that the city was a formal and political confrontation that crystallised urban dyn...
This paper examines the relationship of Aldo Rossi’s encounter with the American context with the te...
The World’s Theatre (Teatro del Mondo) was a floating building designed by Italian architect Aldo Ro...
This paper examines the legacy of Aldo Rossi’s thought and work applied to the United States. It is ...
The text proposes a close reading of the concept of the collective in The Architecture of the City. ...
This dissertation addresses the problem of historical time theorized and practiced between 1953 and ...
Włoski architekt Aldo Rossi (1931-1997) jest nie tylko autorem charakterystycznych budynków, szkiców...
This dissertation studies a critical turn in Southern European discourses on urban form, one that sh...
This paper was presented during the International conference: ‘Theoretical Currents I: Architecture,...
The ‘Italian retreat from modern architecture’ sanctioned by R. Banham (1959), led into the differen...
This paper seeks to redefine the scholarship on Aldo Rossi (1931-1997), an Italian architect known f...
PhD ThesisThis thesis poses the question of the nature of Aldo Rossi’s (1931–97) approach to memory...
In the 1960s, for Aldo Rossi the construction of an alternative to the capitalist city and the propo...
This thesis considers the works of two divergent architectural movements in Italy in 1972, the Neo-R...
Aldo Rossi, one of the most important figures of the last century who determined and characterized ...
Aldo Rossi argued that the city was a formal and political confrontation that crystallised urban dyn...
This paper examines the relationship of Aldo Rossi’s encounter with the American context with the te...
The World’s Theatre (Teatro del Mondo) was a floating building designed by Italian architect Aldo Ro...
This paper examines the legacy of Aldo Rossi’s thought and work applied to the United States. It is ...
The text proposes a close reading of the concept of the collective in The Architecture of the City. ...
This dissertation addresses the problem of historical time theorized and practiced between 1953 and ...
Włoski architekt Aldo Rossi (1931-1997) jest nie tylko autorem charakterystycznych budynków, szkiców...
This dissertation studies a critical turn in Southern European discourses on urban form, one that sh...
This paper was presented during the International conference: ‘Theoretical Currents I: Architecture,...
The ‘Italian retreat from modern architecture’ sanctioned by R. Banham (1959), led into the differen...