This study investigates creative labour conditions and the formation of creative subjectivities in China. Based on my empirical fieldwork in China (mostly Beijing and Shanghai) and archival research (e.g. policy documents and industrial reports), this study combines a political economy of cultural production in contemporary China with four empirical case studies focusing on creative workers in state-owned cultural enterprises, independent filmmakers, international creative workers and the newly emerged digital creative class on social media. By investigating the subjectivation of creative workers in relation to the complex and diversified labour conditions of cultural production in contemporary China, this study engages with questions conce...
This article studies the platformization of cultural production in China through the specific lens o...
In late 2004, the concept of the creative industries arrived in China. It was warmly welcomed in Sha...
With the new magnitude for the relatively unhindered production and circulation of artworks, galleri...
This article studies creative labour in Chinese state-owned cultural enterprises (SOCEs). Based on t...
This article studies creative labour in Chinese state-owned cultural enterprises (SOCEs). Based on t...
Drawing on qualitative research conducted on transnational creative workers in Beijing, this article...
Creative industries in China provides a fresh account of China’s emerging commercial cultural sector...
The importation of the creative industries 1 policy and discourse in China in the early twenty-first...
In response to the worldwide prestige and optimism of creative industries as a new promising pillar ...
Documentary filmmakers have been considered artists, authors, or intellectuals, but rarely as labor....
This article introduces and opens discussion on some of the conditions and ambivalences encountered ...
This article introduces and opens discussion on some of the conditions and ambivalences encountered ...
Given its origins as a borrowed concept from Western cultural policy discourse, creative industries ...
Authoritarian regimes are known for their heavy scrutiny of music and art whose expressive content m...
A persistent problem in theorizations of cultural work is definition. Drawing the borders between cu...
This article studies the platformization of cultural production in China through the specific lens o...
In late 2004, the concept of the creative industries arrived in China. It was warmly welcomed in Sha...
With the new magnitude for the relatively unhindered production and circulation of artworks, galleri...
This article studies creative labour in Chinese state-owned cultural enterprises (SOCEs). Based on t...
This article studies creative labour in Chinese state-owned cultural enterprises (SOCEs). Based on t...
Drawing on qualitative research conducted on transnational creative workers in Beijing, this article...
Creative industries in China provides a fresh account of China’s emerging commercial cultural sector...
The importation of the creative industries 1 policy and discourse in China in the early twenty-first...
In response to the worldwide prestige and optimism of creative industries as a new promising pillar ...
Documentary filmmakers have been considered artists, authors, or intellectuals, but rarely as labor....
This article introduces and opens discussion on some of the conditions and ambivalences encountered ...
This article introduces and opens discussion on some of the conditions and ambivalences encountered ...
Given its origins as a borrowed concept from Western cultural policy discourse, creative industries ...
Authoritarian regimes are known for their heavy scrutiny of music and art whose expressive content m...
A persistent problem in theorizations of cultural work is definition. Drawing the borders between cu...
This article studies the platformization of cultural production in China through the specific lens o...
In late 2004, the concept of the creative industries arrived in China. It was warmly welcomed in Sha...
With the new magnitude for the relatively unhindered production and circulation of artworks, galleri...