Add to ORKGTHESIS 6664This thesis is neither a history nor an exact socio/political documentary of Ulster Theatre. However, within textual readings, both discourses are employed to examine issues of gender within a context of more familiar issues relating to Northern Ireland, colonialism and sectarianism. The thesis purports that patriarchy is intertwined within more perceptible hegemonies, all of which condition Ulster and its representation in theatre throughout the twentieth centur
Through their negotiations with nationalist ideology, state forces and the (post)colonial condition,...
This thesis examines the ways in which Ulster Protestant identity has been explored in contemporary ...
The Annual Gender and Otherness in in the Humanities (GOTH) Symposium is welcoming proposals focusin...
The purpose of this thesis is to examine how the turbulent changes within the Irish society affected...
The objective of this thesis was to provide a detailed analysis of three modern Irish plays which sh...
This PhD uncovers a new and emergent current within theatre and performance produced after the Good ...
This dissertation explores the performance of Shakespeare by Irish theatre practitioners in Ireland ...
Thesis abstract The thirty-year conflict in Northern Ireland, also known as the Troubles, has inspir...
Irish theatre and its histories typically appear dominated by men and their actions. Drawing on the ...
With this thesis, I will utilize both feminist and queer theory to highlight the gendered and bodily...
The paper focuses on Irish drama written and staged before and after independence from the perspecti...
This thesis focuses on depictions of gender in contemporary Northern Irish fiction, published betwee...
THESIS 7345This Ph. D. thesis concerns the plays of contemporary Irish dramatist Marina Carr from 19...
William Shakespeare’s “Taming of the Shrew” questions the social world order that includes an exhibi...
This thesis is powered by a seemingly simple question: how has the presentation of masculinity chang...
Through their negotiations with nationalist ideology, state forces and the (post)colonial condition,...
This thesis examines the ways in which Ulster Protestant identity has been explored in contemporary ...
The Annual Gender and Otherness in in the Humanities (GOTH) Symposium is welcoming proposals focusin...
The purpose of this thesis is to examine how the turbulent changes within the Irish society affected...
The objective of this thesis was to provide a detailed analysis of three modern Irish plays which sh...
This PhD uncovers a new and emergent current within theatre and performance produced after the Good ...
This dissertation explores the performance of Shakespeare by Irish theatre practitioners in Ireland ...
Thesis abstract The thirty-year conflict in Northern Ireland, also known as the Troubles, has inspir...
Irish theatre and its histories typically appear dominated by men and their actions. Drawing on the ...
With this thesis, I will utilize both feminist and queer theory to highlight the gendered and bodily...
The paper focuses on Irish drama written and staged before and after independence from the perspecti...
This thesis focuses on depictions of gender in contemporary Northern Irish fiction, published betwee...
THESIS 7345This Ph. D. thesis concerns the plays of contemporary Irish dramatist Marina Carr from 19...
William Shakespeare’s “Taming of the Shrew” questions the social world order that includes an exhibi...
This thesis is powered by a seemingly simple question: how has the presentation of masculinity chang...
Through their negotiations with nationalist ideology, state forces and the (post)colonial condition,...
This thesis examines the ways in which Ulster Protestant identity has been explored in contemporary ...
The Annual Gender and Otherness in in the Humanities (GOTH) Symposium is welcoming proposals focusin...