Aeshetics of commonness in poetry of Judita Vaičiūnaitė

Development of poetry of Judita Vaičiūnaitė (1957-2001) is not vivid, but there was a change in its artistic image of the world. There was much of aesthetically deeper senseless everydayness in her early creation. The ontological importance of everydayness has showed up later - in the creation of the seventh and eighth decade. Artistic image became more spacious, the details of everydayness are covered, with a dense net of cultural associations. Being of an urban person in the creation of Vaičiūnaitė uncloses as the world full of everydayness rituals. They sacralize the everydayness of a subject and increase its value. Personal space of the subject - woman's room -especially material. Daily surroundings and the environment of familiar things give a possibility to create (poem "When a White Hyacinth Smells..."). During the search for artistic thought analogiousness, we would rest against the creation of M. Proust and his method, which is related to the discovery of the lost reality in the present, and stimulus for this is given by externally insignificant and ostensibly casual event. This is also noticeable in the creation of Vaičiūnaitė. The most important discovered reality is the "text" of the childhood that constantly revives in the further life of the subject. Senses help to revive the past; especiallv important are their combinations – subtle tune of smell, hearing; and sight The time exceeds in the sensual signs and at the moment of existence. The subject of the creation of Vaičiūnaitė is plunged into everydayness which is multilayer. A hunt for the lost reality is permanent. This strengthens the sense of entity integrity, and entity in her creation acquires the dimensions of beingVytauto Didžiojo universitetasŠvietimo akademij