Tadeuszo Konwickio proza. Daugiakultūrinis dialogas

Tadeuszo Konwickio proza rado sau vietą „mažųjų tėvynių” literatūrinėje srovėje. Iš Vilnijos kilęs rašytojas per visą kūrybinį kelią vaizdavo tautinio, kalbinio, kultūrinio, religinio paribio erdvę. Buvo sužavėtas herojais, kurie neturi akivaizdžios, etniškai tyros tapatybės, žmonėmis, kurie susiformavo „kultūrų sankirtoje”, atvirais skirtingumui, peržengiančiais vienos kultūros ribas, ginančiais savo vertybes ir norinčiais rasti susitarimą su Kitu, su Svetimu; žmonėmis ieškančiais dialogo, kurie regionališkumą, savitumą pakeičia į bendražmogiškumą, universalumąProse by Tadeusz Konwicki, one of the most known Polish writers of the 20th century, can be best regarded within the literary trend of “little homelands”. The writer was born in Nowa Wilejka and spent his childhood in Kolonia Wileńska. Since in 1944 he left for Poland, he had alluded to Lithuania and Vilnius in his works by idealizing his childhood and youth experience and creating their mythic spaces. The “little homeland” near Vilnius impressed him as a land of vivid scenery and especially as a place of unconventional people. The diversity of the place, characterised by a variety of attitudes and mentalities, had been determined by different nationalities, religions, cultures, traditions, etc. In his works, particularly in Dziura w niebie, Sennik współczesny, Kronika wypadków miłosnych, Bohiń, he created vivid characters of Poles, Lithuanians, Belorussians, Jews, etc., who were engaged in more or less successful dialogues. The writer glorified the prewar region of Vilnius when politics did not lead to disagreement among those people and they met each other and “god mates” with pleasureVytauto Didžiojo universitetasŠvietimo akademij