The concept of musical refrain in Gilles Deleuze and Félix Guattari’s philosophy

Šiame straipsnyje pasitelkiant refreno konceptą siekiama struktūruoti pagrindinius Gilles’io Deleuze’o ir Félixo Guattari muzikos teorijos aspektus. Straipsnyje refrenas bus siejamas su teritorine aplinka, ir pagal skirtingus kosmoso įveikos būdus bus išskirtos trys refreno sudėtinės dalys. Keliami klausimai: Kodėl teritorijos negalima pavaizduoti žemėlapyje? Kas sieja ritmą ir teritoriją? Ritmą ir refreną? Kodėl refrenas yra savarankiškas teritorijos išraiškos judesys? Kaip atsiranda neretrogradinis ritmas? Kada ir kodėl metras tampa nereikalingas? Kokias metamorfozes pereina teritorinis refrenas? Kuo skiriasi intraasambliažo ir infraasambliažo judėjimai? Kaip siejasi refrenas su destratifikacine įstrižaine?G. Deleuze together with F. Guattari introduce the musical refrain concept to their philosophy theory. The issue of the musical refrain concept is analyzed in this research. The definition of a refrain is the line or lines that are repeated in music or in verse, thus the research focuses on the origin of refrain and its parts. And extensive part of the research is given to the analysis of rhythm, milieu, territory, de-teritorization, assemblage, consolidation, consistency, cosmos, and concept of machine and the search of the relations of these concepts. The examples of music and musical theories of O. Messian and P. Boulez are used to carry out the research; the theories of G. Deleuze and F. Guattari are being compared. Consequently, an assumption is made that philosophers take many musical concepts from the musical theories of O. Messian and P. Boulez. The research intends to demonstrate the difference between cosmic and popular music and stress the commercialism of the popular music. The research is based on the rhyzomantism of the philosophical theory of G. Deleuze ir F. Guattari. It is stated that the concept of musical refrain used by philosophers, contains the rhizomic structure as well