In everyday language, the expression ‘guilty pleasure' refers to instances where one feels bad about enjoying a particular artwork. Thus, one's experience of guilty pleasure seems to involve the feeling that one should not enjoy this particular artwork and, by implication, the belief that there are norms according to which some aesthetic responses are more appropriate than others. One natural assumption would be that these norms are first and foremost aesthetic norms. However, this suggestion runs directly against recent findings in experimental philosophy, according to which most people deny the existence of aesthetic norms. Through three studies, we investigated people's experiences of guilty pleasures and the norms that underlay these ex...
Since the beginning of psychology, researchers have tried to understand beauty. Here, we address two...
Other people’s emotional reactions to a third person’s behaviour are potentially informative about w...
ABSTRACT: Art has no predefined function, which means that it can be harnessed to serve any number o...
Most people are in agreement that guilty pleasures exist, and that we feel them at some point in our...
In matters of aesthetic appreciation, we all have our “guilty pleasures”, those moments when we feel...
This Master's thesis deals with the phenomenon of so-called guilty pleasures within the consumption ...
Art brings rich, pleasurable experiences to our daily lives. However, many theories of art and aesth...
This paper presents a new account of aesthetic pleasure, according to which it is a distinct psychol...
Based on arguments from both philosophical and empirical aesthetics, we hereby propose that the enjo...
The present literature review investigated how pleasure induced by music and visual-art has been con...
The aim of the paper is to reassess the prospects of a widely neglected affective conception of the ...
With the advent of modernity, change and novelty have become the core values of artistic production....
The present literature review investigated how pleasure induced by music and visualart has been con...
The purpose of the present thesis was to characterize the cognitive mechanism that underlies aesthet...
Across two studies, the authors show that simply experiencing physical pain facilitates indulgence i...
Since the beginning of psychology, researchers have tried to understand beauty. Here, we address two...
Other people’s emotional reactions to a third person’s behaviour are potentially informative about w...
ABSTRACT: Art has no predefined function, which means that it can be harnessed to serve any number o...
Most people are in agreement that guilty pleasures exist, and that we feel them at some point in our...
In matters of aesthetic appreciation, we all have our “guilty pleasures”, those moments when we feel...
This Master's thesis deals with the phenomenon of so-called guilty pleasures within the consumption ...
Art brings rich, pleasurable experiences to our daily lives. However, many theories of art and aesth...
This paper presents a new account of aesthetic pleasure, according to which it is a distinct psychol...
Based on arguments from both philosophical and empirical aesthetics, we hereby propose that the enjo...
The present literature review investigated how pleasure induced by music and visual-art has been con...
The aim of the paper is to reassess the prospects of a widely neglected affective conception of the ...
With the advent of modernity, change and novelty have become the core values of artistic production....
The present literature review investigated how pleasure induced by music and visualart has been con...
The purpose of the present thesis was to characterize the cognitive mechanism that underlies aesthet...
Across two studies, the authors show that simply experiencing physical pain facilitates indulgence i...
Since the beginning of psychology, researchers have tried to understand beauty. Here, we address two...
Other people’s emotional reactions to a third person’s behaviour are potentially informative about w...
ABSTRACT: Art has no predefined function, which means that it can be harnessed to serve any number o...