Add to ORKGBeginning of Book Review: “What makes an icon?” is the underlying question of A. Victor Coonin’s book dedicated to Michelangelo’s statue of David. The larger-than-life-size David has a status akin to Leonardo’s Mona Lisa. Its image, whether whole or fragmented, is instantaneously recognizable, making it difficult to look at it afresh, but Coonin manages to reflect on well-trodden ground in a captivating manner. This study demonstrates how the David is more than an embodiment of masculinity but a statue imbued with multi-faceted symbolism that continues to resonate with viewers today
It is a peculiar fact that almost every piece of artwork ever created has attached to it a piece of ...
This is a review of The Polymath: A Cultural History from Leonardo da Vinci to Susan Sontag, by Pete...
That Michelangelo\u27s architecture evolved from his sculpture is generally acknowledged. With unpre...
Beginning of Book Review: “What makes an icon?” is the underlying question of A. Victor Coonin’s boo...
This paper compares and contrasts the progressive ingenuity of Michelangelo’s and Bernini’s renderin...
Wallace (Washington Univ., St. Louis) offers a biography of Michelangelo that is somewhat partial; i...
According to Balas, who has heretofore been known for her Brancusi studies, the iconographical studi...
This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceilin...
URL: http://miranda.revues.org/1710Recension de Michael W. Cole and Rebecca Zorach (eds), The Idol i...
This diverse group of books forces the question: what is iconoclasm? How can we find meaning in this...
Whoever the architect, no great building gets to be built without a reliable and well-supervised cre...
Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth C...
This MRP has been based upon direct in-situ research and observation in Florence, Italy during the s...
Donatello was one of the most celebrated sculptors of the Italian Renaissance. Donatello’s most famo...
This new book by Michel Bacci is dedicated to the image of Christ, and more specifically to how exis...
It is a peculiar fact that almost every piece of artwork ever created has attached to it a piece of ...
This is a review of The Polymath: A Cultural History from Leonardo da Vinci to Susan Sontag, by Pete...
That Michelangelo\u27s architecture evolved from his sculpture is generally acknowledged. With unpre...
Beginning of Book Review: “What makes an icon?” is the underlying question of A. Victor Coonin’s boo...
This paper compares and contrasts the progressive ingenuity of Michelangelo’s and Bernini’s renderin...
Wallace (Washington Univ., St. Louis) offers a biography of Michelangelo that is somewhat partial; i...
According to Balas, who has heretofore been known for her Brancusi studies, the iconographical studi...
This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceilin...
URL: http://miranda.revues.org/1710Recension de Michael W. Cole and Rebecca Zorach (eds), The Idol i...
This diverse group of books forces the question: what is iconoclasm? How can we find meaning in this...
Whoever the architect, no great building gets to be built without a reliable and well-supervised cre...
Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth C...
This MRP has been based upon direct in-situ research and observation in Florence, Italy during the s...
Donatello was one of the most celebrated sculptors of the Italian Renaissance. Donatello’s most famo...
This new book by Michel Bacci is dedicated to the image of Christ, and more specifically to how exis...
It is a peculiar fact that almost every piece of artwork ever created has attached to it a piece of ...
This is a review of The Polymath: A Cultural History from Leonardo da Vinci to Susan Sontag, by Pete...
That Michelangelo\u27s architecture evolved from his sculpture is generally acknowledged. With unpre...