As Hume remarks, the view that aesthetic evaluations are ‘subjective’ is part of common sense—one certainly meets it often enough in conversation. As philosophers, we can distinguish the one sense of the claim (‘aesthetic evaluations are mind- dependent’) from another (‘aesthetic evaluations are relative’). A plausible reading of the former claim (‘some of the grounds of some aesthetic evaluations are response- dependent’) is true. This paper concerns the latter claim. It is not unknown, or even unexpected, to find people who believe that aesthetic evaluations are culturally relative, or even agent-relative. A cultural relativist would hold that there is no way to adjudicate an apparent disagreement between, say, a Japanese critic who finds...
Analytic aesthetics has been obsessed with mature, art historically well-informed aesthetic judgment...
In this paper we sketch a new version of aesthetic expressivism. One advantage of this view is that ...
In “Artistic Worth and Personal Taste,” Jerrold Levinson develops a problem for those who think we s...
As Hume remarks, the view that aesthetic evaluations are ‘subjective’ is part of common sense—one ce...
In his 'Of the Standard of Taste' David Hume seems to make the paradoxical claim that even...
Since at least Hume and Kant, philosophers working on the nature of aesthetic judgment have generall...
This essay is a discussion of two related topics in contemporary aesthetics: the notion of aesthetic...
It is commonplace amongst philosophers of art to make claims which postulate important links between...
Since at least Hume and Kant, philosophers working on the nature of aesthetic judgment have general...
Some have argued that the possibility of faultless disagreement gives relativist semantic theories a...
Analytic aesthetics has been obsessed with mature, art historically well-informed aesthetic judgment...
In this paper we sketch a new version of aesthetic expressivism. One advantage of this view is that ...
In “Artistic Worth and Personal Taste,” Jerrold Levinson develops a problem for those who think we s...
As Hume remarks, the view that aesthetic evaluations are ‘subjective’ is part of common sense—one ce...
In his 'Of the Standard of Taste' David Hume seems to make the paradoxical claim that even...
Since at least Hume and Kant, philosophers working on the nature of aesthetic judgment have generall...
This essay is a discussion of two related topics in contemporary aesthetics: the notion of aesthetic...
It is commonplace amongst philosophers of art to make claims which postulate important links between...
Since at least Hume and Kant, philosophers working on the nature of aesthetic judgment have general...
Some have argued that the possibility of faultless disagreement gives relativist semantic theories a...
Analytic aesthetics has been obsessed with mature, art historically well-informed aesthetic judgment...
In this paper we sketch a new version of aesthetic expressivism. One advantage of this view is that ...
In “Artistic Worth and Personal Taste,” Jerrold Levinson develops a problem for those who think we s...